Category Archives: 80s Advertisements

Going Back to Next Saturday Morning…in 1985!

I’ve written before about a personal hole in my pop culture nostalgia when it comes to certain memories of stuff that aired on TV back in the day.  As much as I loved Saturday morning cartoons, cheesy sitcom, and celebrity mash-up specials (like the Battle of the Network Stars or special crossover episodes of shows like Family Matters and Full House), I was never aware that every year the three main networks had special shows showcasing their upcoming fall line-ups (for both prime time and Saturday mornings.)  Over the course of the last decade I’ve discovered a ton of these specials while flipping through old issues of TV Guide and while browsing the dark web for old obscure television broadcasts and I have fallen head over heels for every cartoon preview show I’ve stumbled upon. A few years ago I wrote a bit about one of these, the 1984 NBC special called Laugh Busters.  Though I have a few more of these tucked away in my digital collection that I’ve been meaning to dig into, I just found a new one this past weekend that I really want to talk about.

Originally airing on NBC on September 13, 1985, the special was called Back to Next Saturday and promised to not only showcase the new season of NBC cartoons, but was also potentially cloaked in a Back-to-the-Future-inspired wrap around story. Sign. Me. Up. I mean, just take a look at the TV Guide ad above featuring Keshia “Rudy Huxtable” Pulliam in that sweet Marty McFly pose (complete with shades and puffy vest.)  Billed as a Spectacular Comedy Adventure Special, I can’t believe that I missed this gem of a show over 30 years ago.

One of the reasons that I love rediscovering these specials is that they flesh out the experience of what the excitement of a new season of cartoons was like growing up.  Not only were there a plethora of commercials airing between other shows during the week, but we were getting bombarded with teases of the new line-up in the pages of our favorite comic books as well.  I have a fairly decent archive of these comic book ads here on the site, and the 1985 NBC ad was a real gem.  In fact most of the NBC ads were pretty awesome in how they were framed, but I really loved this one in particular…

I adore the idea of all of the characters from the various cartoons getting together in a secret bunker underneath NBC headquarters in Burbank, CA.  There’s some pretty groan-worthy humor in this ad, but there’s also some pretty biting commentary as well, specifically from the Snorks complaining that they’re up early in the line-up.  I look at that as an acknowledgement that they probably get low ratings due to kids sleeping in past their show.  Anyway, like I was saying, these 30 minute commercial specials give these ads way more context and they usually pull in actors from a few of the sitcoms to made the whole experience a smorgasbord of pop culture fun (no matter how poorly written, acted and conceived these shows are.)

I’m really curious how the special got away with lifting the Back to the Future logo font.  Was NBC tied into Universal back in the 80s?  I didn’t think they merged until the mid 2000s.  Anyway, pretty quickly as the special starts it becomes clear that the font is the only thing that even resembles Back to the Future.  The wrapping story, written by Glenn Leopold & Christopher Brough (Brough was also responsible for Laugh Busters) resembles the Wizard of Oz way more than BTTF.

The set up is that Keisha Knight Pulliam (playing herself) is being babysat by Lisa Welchel (also playing herself, not Blair from the Facts of Life) and after Welchel reads Keisha a bedtime story she is whisked away to a magical island of cartoons.  Real quick, I wanted to point out that Keisha’s room is full of references to the new NBC cartoon line-up, from Smurf and Snork stuffed animals, drawings of her watching NBC, and even the story that Welchel reads to her from is out of a Punky Brewster & Friends book…

    

Of course immediately Keisha wants to go home, so as soon as she runs into Glomer from the It’s Punky Brewster cartoon she begins an adventure to find out how to leave the island.  Glomer introduces Keisha to his show and in order to help her, he pulls Soleil Moon Frye and her actor pals right out of the cartoon into reality to help Keisha.

    

This is where the special gets a little trippy for me.  It’s hard to tell who is real and who is a character.  Stay with me here.  As soon as Glomer (obviously a character because he’s animated) pulls Punky and her friends out of the cartoon, Punky talks about needing to get back so that they can star in the cartoon this fall on the network.  So is that Punky talking, or is it Soleil?  I mean, it’s Keisha, not Rudy Huxtable.  Is the idea that the characters in the Punky Brewster live action sitcom are aware that they’re making a cartoon?  I’m not sure exactly why this confounds me, but I find it weirdly interesting in a mind-bending sort of way.

Anyway, much like in the Wizard of Oz Keisha has now recruited some friends to help her on her way around the island looking for a way home.  Their next stop?  The Snork’s lagoon where they meet up with All*Star and are given a tour of the new season of the underwater animated series…

   

All*Star isn’t much help so they continue on past the lagoon and pretty soon they find themselves walking through a cave into the heart of the island.  They stumble on a room filled with pirate corpses and treasure chests. What’s in those chests you ask?  Why all of the previous cartoons that were cancelled by the network!  Of course this spurs Punky on as she shivers at the idea of having her show cancelled.  Of course, being the heavily nostalgic person that I am I just want to find this mystic island with all of these hidden cartoons!

   

After the group moves on from the cave they find themselves back outside where they run into some Smurfs in the woods.  Well, they run into a TV that has Papa Smurf and Smurfette frolicking in that same patch of forest.  They pause just long enough to meet the four new Smurfs that are joining the show that season (the “Cousin Olivers” of the series, Natural, Baby, Snappy and Sassette), before moving on to a clearing where they run into smoke and a weird Fire Alarm Box…

    

This is also a weird moment in the show.  Up until now when they met up with some of the cartoon characters on the island there is sort of a general vibe to the encounters.  Just cartoon characters minding their own and new voice work recorded to make it seem like the animation is interacting with the live action characters.  But the fire sequence is where the group meets up with Alvin and the Chipmunks and the only reason there is a smoky Fire Alarm Box is because the footage used from that particular Chipmunks episode involves the brothers dressed as firemen and riding a fire engine.  I mean, could they not find an episode with more general animation? Or at least they could have had the giant Chipmunk suits make another appearance from the Laugh Busters special.  Kinda weird…

After they chat with Alvin, the group moves on from the smokey area into an Aztec grove where Punky makes an Indiana Jones reference and Allen screws with a stature that causes them all to fall into another network of caves that also just happens to be right next to some of the Gummi Bears secret Quick Tunnels. Speaking of those giant Chipmunk suits, here we get a huge Cubbi Gummi live action appearance. I was kind of hoping that Cubbi would join the group on the adventure, but alas, he’s only there to showcase the inaugural season of Disney’s the Gummi Bears joining the NBC Saturday morning line up…

    

After the gang watches the preview they crawl into the Quick Tunnel and then find themselves back outside of the caves.  This island is starting to feel more and more like the island in Lost, just instead of black smog monsters and polar bears there are Snorks and Master Blaster jukeboxes from Kidd Video.  This is probably my favorite bit in the special as Kidd Video is hands down one of my favorite Saturday Morning cartoons from the 80s, and since the show is sitting in licensing hell and will never be released on DVD (due to the liberal use of pop music from the decade incorporated into almost every aspect of the series), any appearance of KV is gold to me.

    

After Keisha, Punky and the gang play a preview on the giant jukebox, my favorite fictional rock band is pulled out of the Flipside onto this island to join the group and help Keisha find her way home.  Seriously, not only is that cartoon so much fun (you really have to find some episodes on youtube and check it out for yourself if you don’t remember), but the music in the series is so damn good.  I listen to the one semi-officially-released album at least once a week on the commute to and from work.  And for all you Robbie “Cousin Oliver” Rist haters out there, I faithfully submit that his work on this cartoon and the Teenage Mutant Ninja Turtles movie elevates him to pop culture hero.  Just saying…

So now, nine strong, like a certain Fellowship of the Ring, Keisha, Punky Brewster, Cherrie, Margo, Allen and Kidd Video and the gang all walk through the giant jukebox and into the bowels of the island once more.  Speaking of Lord of the Rings, the group finds themselves stuck on one side of a giant chasm.  Luckily, Peter Parker’s patented Spidey Sense goes off and he dons his Spider-Man outfit just in time to save everyone from falling into some liquid hot magma.  Hmmm, reminds me of when he showed up to join Danny Cooksey and K.I.T.T. in that Laugh Busters special

    

At this point in the special I feel like the writers were getting sick of the concept and they kind of hamfistedly shove in an awfully edited appearance by Mr. T and then they rush into the closing bit that sees Lisa Welchel return, doing her best Glinda the Good Witch of the North impression.  Welchel summons everyone together in a cave to sing a pretty catchy song about Saturday Morning cartoons that was written by music superstar Jeff Barry (who happened to compose the Jefferson’s theme song, as well as And Then He Kissed Me, Leader of the Pack, and the Archie’s hit Sugar, Sugar.)

    

Cue gratuitous dancing and literal television appearances of the various cartoons in the new NBC line up. Gotta say, even though I’m not the biggest Welchel fan, she knocks that song out of the park…

   

    

All in all, even though the acting was awful, the writing was ridiculous, and the whole premise was tired and silly, I loved every single frame of this special.  I mean where else are you going to see udy from the Cosby Show got lost on a cartoon dream island and had to team up with the kids from Punky Brewster, Kidd Video, Spider-man, Cubbi Gummi the Gummi Bears and Blair from the Facts of Life to get back home!  These cartoon previews are like a casserole of 80s pop culture, and the older they get the more satisfying they are to consume.

If you’re so inclined you can watch the special on youtube (it’s in two chunks, Part 1 & Part 2).  And if you just want to listen to that rad song at the end, you can hear it below, or right-click and download it here.

Masters of the Universe Vs The A-Team: Or What’s in a Pose Anyway…

One of the aspects that I adore about collecting and sifting through 80s era ephemera is finding all the hidden gems and weird little connections between things that nine times out of ten we’d all miss until we really started paying closer attention. Whether it was figuring out that conceptually, the idea behind the Garbage Pail Kids’ Cabbage Path Kids parodies were introduced by Scholatic in their Maniac magazine almost a year before the Topps cards hit shelves

GPK

…or that even though I grew up yearning for a Star Wars-themed jungle gym play set that I thought didn’t exist, it did in fact exist.

4559517652_7f1d7a5f14_o

Ephemera like this can lead to some fun and interesting discoveries.  Well recently my pal HooveR made a connection between two pieces of obscure ephemera from 1983 that I thought was pretty cool. He sent me a set of A-Team Colorform Rub N’ Play Transfers with a note attached that referenced a similar set of Masters of the Universe transfers from the same year.  I wrote about the MOTU set way back in 2011

731830798_36eb20f2e6_b

These sets were like the cheap-o versions of standard Colorforms sets, one off sheets that you could transfer onto an included backdrop to create your own battle scenes.  There were a few companies making them besides Colorforms, the most popular being Presto Magix.  I used to enjoy mixing up the different branded sets so that I could have He-Man fighting Darth Vader or hanging out with Thundarr the Barbarian.  That made for some interesting combinations when you really let your creativity flow (like this masterpiece below that I put together)…

5591768601_532cec2555_o

But getting back to that sheet of A-Team transfers that I was gifted; what HooveR pointed out though, was that whoever illustrated these sets decided to take a few creative shortcuts back in 1983.  Our guess is that being overworked (most likely as illustrators tend to be), whoever had the assignment to do the Masters of the Universe set decided to make it easier for themselves on the A-Team set by re-using a bunch of the same classic poses.  The results are pretty hilarious when you put them back to back!

ATeam-Colorforms-72

Do you notice the similarities?  How about now…

Comp

I love this.  It’s like watching characters from one of my favorite live action TV shows in the 80s play acting scenes from one of my favorite cartoons!  What makes it extra hilarious to me is that knowing how strained the relationship was between Mr. T and George Peppard behind the scenes, it’s pretty freaking funny that they’re in the He-Man and Skeletor poses. I was also hoping that this carried forward into other Colorforms Rub N’ Play sets, but of the other ones I own (Gremlins & Michael Jackson), and the sets I’ve scoped online (Knight Rider, Pee-wee’s Playhouse, Mork & Mindy, Barbie, and Rainbow Brite) none of them reuse any Masters of the Universe poses (or any other famous poses that I can recognize.)

So, what are some fun things you’ve come to realize while shuffling through ephemera?

I wonder if Fred Savage ever conquered Bad Dudes?!

4461391534_02cce86892_oA little over a month ago I was farting around on Archive.org when I stumbled upon something magical.  In the magazine rack section some amazing soul had uploaded over 100 issues of the now defunct Nintendo Power magazine.  I was so excited about this I started sharing the link to the collection on twitter and facebook, and then next thing I knew everyone and their brother was also sharing the link.  Sadly it looks like all this attention potentially drew the ire of Nintendo, and all of the issues seem to have been removed from the site which is a real bummer.  Luckily I managed to snag a bunch of these and I’ve been able to dive back into the pages of one of my all time favorite magazines.  As a quick aside, even though it shouldn’t, it endlessly amazes me how news is reported inaccurately online.  Two days after I shared the link to the Nintendo Power archive and I started seeing sites report on it, about 75% of them assumed that either a) Nintendo uploaded them, or b) that the “internet archive” uploaded them.  First of all, do people not know how the Internet Archive works?  Second, hell no, Nintendo did not upload them, and three seconds of fact checking at the destination link would have shown them that.  I think a bunch of these articles were just “me too” pieces that basically plagiarized whatever larger/loud source got it wrong first and no one bothers to fact check or do any research.  I often wonder when something like this hits, do people even care about the actual news, or are they just interested in sharing it for likes, follows and clicks?  Sigh.

Back to the magazine, I’m not sure where I stumbled on the first issue as a kid, but I vividly remember starting my collection with that very distinctive issue with the rad claymation cover back in 1988…

000

Like most kids my age I was addicted to the Nintendo Entertainment System and spent endless and afternoons and weekends perfecting my skills in games like the Super Mario Bros. trilogy, Bad Dudes, Section Z, Excite Bike and Final Fantasy.  I used to pour over the pages of this magazine looking for tips, tricks and codes that would help me find my way to the negative world or get a hundred lives in Super Mario Bros., how to perfect the Konami Code, or how to navigate the murky world of Final Fantasy (via the amazing Strategy Guide in issue 17.)  At some point I lost my sizeable collection of the magazine (I’d bet that my parents chucked them in one of our moves), and I haven’t dug into an issue since at least 1994.  Flipping through these digital issues has been a blast and I absolutely love how “of the time” the graphic design is in all the ads and articles.  I mean just take a gander at these two amazing slices of late 80s fun…

monster  nintendo_power_002_-_1988_sep-oct_001

I kind of want to live in that surfing advertisement.  Then there’s this third ad that details all of the Nintendo branded food products that were available back in the late 80s.  I totally ate my weight in the official Nintendo cereal from Ralston, well, at leas the Zelda side of the box.  I wasn’t much of a fan of the Mario Bros. cereal…

nesfood

I totally do not remember the Nintendo juice boxes at all, but I vaguely remember some ice-cream novelties and those candy bars seem very familiar.

Scanning back through these I was a little surprised how formulaic the first 40 or so issues were.  Each one featured a bunch of the same regular columns in the same layout from issue to issue.  That’s not really a complaint mind you, just an observation, something I noticed when I realized that almost all of the first 42 issues featured a celebrity profile of an NES addicted superstar.  All sorts of folks were featured in the pages of Nintendo Power, from actors and comedians like Fred Savage and Jay Leno, to sports stars and commercial icons like Ken Griffey Jr. and Joe Isuzu (of all people.)  I thought it’d be fun to share a bunch of my favorite celebrity profiles from the first few years of the magazine.  Though a bunch of these are from the ’88 & ’89 issues, there are also a handful from the ’90 to ’92 issues as well.  I typically don’t dip much into the 90s here at Branded, but I thought for the sake of completeness that it would be worth it to make an exception this one time.  So here are 20 of my favorite profiles…

np1    np23

I might as well start with the first issue from August of 1988 which featured a joint profile of those crazy Cameron kids, Kirk and Candace (from Growing Pains and Full House respectively.)  Since I’m starting with Growing Pains I figured I might as well as throw in the Jeremy Miller profile from issue 23, April of 1991.  While Candace had mastered Super Mario Bros. and was (at the time) totally stuck in the middle of the Legend of Zelda, Kirk was more of a Gradius man who was having such a hard time with the Amoeboids he was seriously considering placing a call to the legendary game counselors.  Jeremy on the other hand was a huge fan of Star Tropics and Tetris and was really proud of hitting 289,000 in the infamous block clearing game.

np3

The idea that Jay Leno was not only playing the Legend of Zelda, but that he was invested in it enough to call the Nintendo counselors asking for help on level 7 just makes me feel all kinds of warm and fuzzy.  I know that celebrities are people too and the NES was huge when it hit, but I still can’t help but break out with a smile when I think of adult celebs getting video game thumb on the same games that I was playing as a kid.  Also, I wonder how Leno liked Ikari Warriors?  ‘Cause I loved it…

np10

Speaking of adult celebs playing and loving the NES, this one from issue 10, Jan/Feb 1990 with Stephen Furst is probably my favorite profile of a “grown-up” by far.  I love that he went so far as to submit a review of Double Dragon II (he loves that cyclone spin kick!)  I also find it fascinating that Nintendo reached out to an actor like Furst.  I mean, though some 80s kids were probably hip to Animal House, how many of them were watching St. Elsewhere?!

np9    np37

So, the above two profiles make way more sense to me in terms of the actors they were targeting.  Fred Savage and David Faustino were the perfect age at the time for Nintendo’s main target audience, not to mention that Savage was in The Wizard.  The Fred Savage profile is from issue 9, November/December 1989, while the Faustino profile appeared in issue 37 from 1992.

np28    np30

These celebrity profiles weren’t just for actual actors or sports heroes, it was also for characters too.  Take these two that feature Bart Simpson and Freddy Kruger (well, Robert Englund, though from reading it, it’s clear he did the piece as Freddy) from issues 28 and 30 respectively. Though neither really talks about Nintendo per-se, I love the Power Glove jokes Englund delivers.  Also, years before there was ever a Freddy Vs. Jason movie, Englund talks about the concept in his profile…

np24

I could go on and on about these profiles, but I think I should just let them speak for themselves…

np5    np6

np8

np11    np12

np16   np25

np34

np20    np27

np36

It was finally time to up my watch game…

It feels really good to be able to finally start catching up with writing articles here at Branded.  Over the past few years there’s been a lot of changes in my life behind the scenes, and in particular a lot of stuff has been going on over the last six months including helping my girlfriend sell her townhome, securing a new job, and the one that has been the most frightening and fulfilling, buying my first house.  But the dust has begun to settle, I’m in the middle up setting up a new and improved Branded HQ, and I can get back to what I’ve missed the most, writing about all kinds of fun 80s junk.  In fact I’m currently having a blast revisiting some of the cool stuff I’ve acquired that I’ve been meaning to write about.  For instance, a very cool new (well, vintage) watch that I’ve been wanting to reconnect with for the last 25 years…

563934200_71a309a9c0_o

Back around 1985 or ’86, I was pretty obsessed with getting my hands on the amazing transforming robot watch depicted in the Bonkers candy ad above.  I first saw these in the little red candy and trinket vending machines at my local Pizza Hut as the “main” prize, the one thing you could get out of the machine for a quarter where you’d actually be getting more than your money’s worth.  I can’t count how many quarters I sunk into these machines only to get endless amounts of plastic army men, colorful puffballs with glued on felt feet and googlie eyes, or generic pencil topper erasers.  I was never a lucky kid when it came to winning stuff like this.  And here’s the thing, from my estimation at the time, you had to either win one of these robot watches or convince your parents that it was safe for them to send a check or cash to Nabisco to score one.  Lets just say that I could never get my parents to believe that these comic ads were not a scam.

At the end of the day I did eventually end up getting one of these watches by trading some Garbage Pail Kids to a friend, though it didn’t have the watch band and it looked like he had chewed on the little blue and red buttons on the front.  None the less I cherished that red robot watch and kept it in my pocket for years.  It didn’t matter that the one I had was used, or that it wasn’t an official Kronoform watch (a fact I wouldn’t even be aware of until 20 years later when I really started getting nostalgic for my youth.)  I’m not sure what happened to my specific watch, but for the last 10 years or so I’ve been yearning to get a new one.  The thing is, they’re kind of rare and when they do pop up on eBay they’re kind of outrageously priced.  So I’ve been biding my time, waiting for the right opportunity.  That opportunity happened a couple of months ago after I posted the Bonkers advertisement above on my instagram account.  I mentioned how I wanted to get my hands on one of these and a very kind gentleman from Canada that goes by the handle No_Thriller had just scoped one at his local toy/comic store.  After working out the details No_Thriller picked up the watch for me and then shipped it down to the states where I was eagerly awaiting its arrival!  And yes, that is also an awesome Steve Nazar signed print of the T&C characters in the background that my good bud HooveR sent and that also arrived that day…

image1

Not only did this one still have the watch band fully intact, it was a beautiful almost brand new official Takara Transformers Kronoform release!  Also, it still worked (the super kind No_Thriller was nice enough to replace the old battery before shipping it.)  Even though this one isn’t red, I still love it to pieces…

image2

This also reminds me of that piece I wrote about having a crush on Helen Hunt’s character Lynne Stone form Girls Just Want to Have Fun if for no other reason that she also wore a sweet red robot watch in that flick.

61

Now maybe if I can ever build that time-traveling-DeLorean I can go back in time and ask her out to the prom.  I mean we have the same taste in Transformers watches, that’s all that matters right?

Lets Talk About that Epic HBO Feature Presentation Intro from the 80s

I always felt very lucky to have had access to cable television as a kid growing up in the 80s.  Whether it was the fact that I had access to WGN so that I could be exposed to the Bozo Show (and more importantly the Grand Prize Game segments), Nickelodeon and the plethora of awesome programming on the network, or the handful of years when my folks popped for the extra $20 a month to subscribe to HBO.  Home Box Office was chock full of really cool stuff back in the day, shows like Fraggle Rock, Encyclopedia, and the Buy Me That specials hosted by Jim Fyfe.

HBO Intro 2

But hands down the single coolest thing on HBO was the minute and a half intro that played before all of the first run movies in the evenings.  If you had HBO in the 80s and 90s you know the one…

This awesome Feature Presentation introduction with is bombastic score and its extremely 80s era effects work is one of those pieces of media that is burned into the memory of anyone who was subscribed during the decade.  In fact there are some movies that I’ve watched a hundred times off of a VHS that taped from an HBO broadcast where this intro feels like it’s part of the film.  Much in the same way that the 20th Century Fox intro feels like a part of the original Star Wars trilogy or the Tri Star Pegasus intro feels like a part of the Monster Squad, this HBO intro has become associated with a ton of films for me.

I can’t count how many times my co-hosts Paxton and Jaime have brought it up when we’re recording the Cult Film Club podcast, sharing memories of the films it played before and breaking down some of the little details (like how neat it is that the HBO logo is basically a space station beaming down movies to the earth below.)  Yet, in all our conversations in never occurred to me just how detailed this short introduction really is.  In fact, up until this past weekend I was under the impression that a portion of the intro, the HBO shaped space station/satellite, was a (literal) shining example of some early CGI animation.  Turns out, not so much!

HBO Intro

After falling down the rabbit hole that is youtube for a few hours I stumbled upon a pretty amazing bit of vintage HBO, a behind the scenes special on the making of the HBO Feature Presentation intro!

You know that HBO knew they had something special on their hands when they took the time to produce a Making-Of alongside the actual intro.  First of all, I love that this short video exists because now I have some insight into who actually worked on the intro.  Folks like that are usually the unsung heroes of pop culture because they’re working in a marketing capacity.  I mean, show of hands, how many people can name at least 10 different Transformers characters from the 80s toyline?  Most of you right?  Now, how many of you can name at least one of the artists who painted box art for those toys? I’m guessing not nearly as many.  This isn’t to say the we’re not interested in these artists, it’s just that there is almost no visibility into who these folks are.  So after almost 30 years of loving this HBO intro, I finally get to learn who some of the folks are who worked on it, folks who’s art and talent have burned its way into my permanent memory.

image

The video (embedded above) is about 10 minutes long and it details the work done on some of the 60 plus visual elements that went into making the intro.  The intro was written, designed and shot by Liberty Studios out of NYC headed up by company president Anthony Lover (wow, what a name!)

image

Their idea was to create a look and feel to the HBO brand that really set it apart from anything that had previously been on TV or cable by metaphorically bridging the gap between the cable company and its audience.  That’s why the intro begins with a shot looking through the window of a family’s home where they are sitting down to watch TV.  The piece starts with us, and then it pans out to a building, then a city street, then a city, the country, the horizon, and eventually into space and the HBO signal space station.  By pushing forward even more, entering the giant spinning HBO logo we’re brought full circle into the Feature Presentation animation which is what would be playing on the TV in that first home.

One of the things that really struck me was just how much of this intro was practically shot with actual props, up to and including that brilliant shiny metal HBO logo in space (with a fun practical backlit starburst effect created by David Bruce!)

image    image

I never would have guessed that they manufactured that piece out of brass, and now I’m insanely curious to know where that piece is now?  I assume it’s in the office of some HBO bigwig, but it’s just as likely in a landfill (I mean, look at where the Deathstar shooting model would have ended up had it not been for my friend Todd over at Neato Coolville, Part 1, Part 2, and Part 3!)

I also think it’s rad that the 6-person model team and the Special Effects Model director (James Kowalski) built and shot a huge cityscape in about 1:64 scale (Hot Wheel car size.)

image

They built all the building facades, trees, lamp posts, and even working traffic lights, as well as putting in a ton of details like potted plants sitting on the fire escapes, the painted lines in the streets and even tiny signs.  They went so far to put in working lights in every room in every building and house in the model.  Even the headlights on all the cars and buses work.  The artists even peppered the city with bums and hookers, so if you have a keen eye and a fast finger for the pause button you can scope some crazy details.  Overall the model is about 10 feet wide and 30 feet long.  That’s 300 square feet of awesome that took three months to build!

image    image

image    image

I love that there ended up being so much detail, so many tiny flourishes that caught the eye that they realized in order to make it look real and not fake in a hyper-reality sort of way, they had to pump in smoke to blur the horizon and give the perception of a more natural three dimensional environment.  As you travel through the model the foreground becomes crisp and clear while the background stays slightly fuzzy.  The effect is pretty damn amazing and points to why practical effects will always trump CGI for realism.

image    image

image    image

The music for the HBO intro is just as important as the effects that go into the visuals too.  The piece was composed by Ferdinand J. Smith and performed by a 65 piece orchestra, illustrating that HBO spared no expense for this short one and a half minute introduction. Also, before I forget and neglect to mention it, the music in this making of video is amazingly reminiscent of the 70s/early 80s Sesame Street music which makes the whole thing that much more fun.

So, if you’re like me and you grew up with your eyes glued to HBO, it’s totally worth checking out this 10 minute making of video.  Now, if I could only get similar behind the scenes pieces on the Tri-Star, 20th Century Fox, and 80s era Nickelodeon intros!

image

Filling a gap in my pop culture past…

There are a million reasons why I’m thankful for being brought into this world in the late seventies, but the one that I’ve been focusing on lately is that I feel a very deep appreciation for my luck in experiencing what the world has been like before and after the internet. I do my best to not take the wonderland of the World Wide Web for granted, and I consistently marvel at the level of access we have to information, even if it seems banal and trivial on the surface. With the tools, databases and connections at hand we can use these resources to practically break through the implausibility of a concept like time travel and experience things that should be long gone and forgotten. I spend the majority of my time here at Branded writing and talking about all the stuff from my childhood that I hold dear in particular my personal experiences with the shows, movies, books, toys and pop culture ephemera that I grew up loving. Today I want to talk about something I completely missed out on, something that I only discovered after starting this site almost a decade ago, the Saturday morning entertainment showcase specials that were broadcast by the major TV stations back in the 80s.

2421617876_7a2887ac88_b

Growing up I never really had a say in what the family would watch on TV. I know, everyone is crying me a river, right? Honestly, it’s not a complaint; I had food, shelter, and more than my fair share of toys and entertainment, but when it came to TV there were only a few windows when I had access to controlling the dial (and much later the remote), especially as soon as my father would come home from work. As soon as he got in the door he immediately changed the station from the afternoon cartoons I might be watching on the UHF channels to whatever station would have local news. So if that meant suffering through syndicated reruns of Alice or the Jefferson’s for the billionth time so that the channel would be tuned in to the news as soon as it started, that’s what we watched. Then it was the local news, then national news, then Entertainment Tonight, and finally onto whatever stuff caught my dad’s interest for the rest of the evening. My TV time was mostly regulated to 30 minutes in the morning before school (where I caught old Our Gang and Three Stooges shorts or the odd episode of Woody Woodpecker or Chilly Willy), an hour after school (where I caught most of my syndicated cartoons like He-Man, G.I. Joe, Bravestarr and the Silverhawks), and a couple hours on Saturday morning for cartoons. Because of this I never tended to flip through the actual programming portion (the B&W newsprint part) of our copies of the TV Guide and therefore I never stumbled across any of the advertisements for the one-off showcase specials that aired during the kickoff of the new network lineup in fall.

So at 8:30pm on Saturday the 8th of September in 1984 I had no idea that there was a 30-minute special called Laugh Busters airing on NBC. In fact I didn’t even learn that it existed until about five years ago when I broke down the 1984 Fall Preview issue of the TV Guide here at Branded. At the time it was a bit of a curiosity that I wished I could explore further but there was nothing online about it except for a glorified placeholder entry on IMDB.

IMDB Laugh Busters

Well, a few years went by and Laugh Busters slipped to the back of my mind as one of those oddities, a hole in my childhood experience that I wished I could fill but knew I’d probably never get a chance to see as something like that would never merit a DVD release (way too many licenses and clearances would be needed.) But, as I stated above, the internet and all its connections are pretty damn miraculous and my buddy Tim over at Flashlights Are Something to Eat had his own Laugh Busters journey going on. Unlike me, Tim had actually seen the original broadcast as a kid and even had the presence of mind to tape the audio on a blank cassette! He did a short synopsis/write-up on his site but was still yearning to re-watch the full special, so he kept up his search and a couple of years later he finally found one of his childhood holy grails, an old VHS copy that had been ripped to DVD. Tim, being the super awesome guy that he is, offered to let me borrow his copy and finally, 30 years after it originally aired, I was able to experience a small part of 1984 that I thought was lost to time. As a bonus the copy of the special was complete with the commercials that originally aired with it, so this was as close to time travel that the internet has made possible.

Laugh Busters

As I mentioned above, Laugh Busters was a Saturday Morning showcase special which was designed to sell the kids of America on NBC’s new line-up of shows, particularly because half of the schedule was brand new for 1984. Here’s a copy of the SMC comic book ad for NBC from which introduced 4 new shows including Kidd Video, Pink Panther and Sons, the Snorks and the live action sitcom Going Bananas starring JR the orangutan as Roxanna Banana a simian zapped by a U.F.O. and given super powers.

404132487_0ce41c7ae1_o

The basic premise of Laugh Busters revolves around the making of the NBC Special starring all of the new cartoon characters as well as the Smurfs, Spider-Man, Mr. T, Alvin & the Chipmunks, and the cast of Going Bananas. The director in charge, D.W. (played by Sandy Helberg), has his plans put in peril by Gargamore O’Dette, a super evil wizard (also portrayed by Helberg) bent on the end of laughter and the ultimate destruction of NBC. Why you ask? Because he’s allergic to laughter of course!  Here’s some audio from that opening segment

Director DW and Assistant

Gargamore ODette

Right off the bat after hitting play I was taken aback as there was a scene during the opening credits that featured a team up between an animated Mr. T and Alvin, Simon and Theodore. At first I thought this was a weird composting of elements from the two Ruby Spears cartoons, but upon digging a bit I found out that Mr. T was featured in the first segment in the premier episode of the 80s Chipmunks series (both shows debuted together the year prior in 1983.) There’s also a great song in the middle of the episode.  Somehow I’ve managed to miss out on this epic bit of pop culture fun for the last 31 years.

Chipmunks 2

After the detour of watching the first episode of Alvin and the Chipmunks I dove back into the Laugh Busters special. To execute his nefarious plan Gargamore kidnaps the Smurfs off screen and recruits two live action henchmen (played by James “Uncle Phil” Avery and Bill Saluga reprising their roles of the Grit Brothers Hank and Hubert from Going Bananas) to stop the rest of the characters from making it onto the special.

Captured Smurfs

Grit Brothers

Of course Thom Bray (Boz and his rad orange robot Roboz from Riptide) show up at the studio for the Special and they end up helping to track down the missing stars and cartoon characters starting with Spider-Man.

Thom Bray

Dan Gilvezan, voice of Spider-Man from the cartoon, redubs animation segments from the show to talk about being excited for the new season as well as taking a trip across country to appear on the new NBC special. He then proceeds to web-swing from NYC all the way to Burbank (seriously) set to the sweet dulcet melody of the city-name-dropping portion of the Huey Lewis song Heart of Rock and Roll.

Spiderman

Of course he encounters the infamous Grit Brothers near the city of One Horse USA, swinging into and getting trapped on a gigantic piece of ACME Fly Paper (in a live action segment that looks like it was straight out of an episode of the Electric Company)! Boz uses Roboz to call a honkytonk out there to enlist the help of Danny Cooksey (from Diff’rent Strokes and later Salute Your Shorts) to help. After performing his best Waylon Jennings imitation of the Ed Bruce song “Mammas Don’t Let Your Babies Grow Up to Be Cowboys” (where the keen observer will notices the entire Kidd Video and Going Bananas cast in attendance as well as Alfonzo Ribero), Danny takes Boz’s call and agrees to help, though he needs a ride to go help Spider-Man since he’s just a kid and all.

Audience

Alfonzo

Boz then enlists the help of KITT from Knightrider to drive Danny out to rescue Spider-Man. What I love about this segment (aside from seeing a pint-sized Danny Cooksey behind the wheel of K.I.T.T.) is that this is the only onscreen pairing of Spider-Man and K.I.T.T. (I have a soft spot in my heart of Knightrider crossovers.) I also love that William Daniel voiced K.I.T.T. in this special uncredited…

Cooksey KITT Spiderman

With Spider-Man rescued, the Grit brothers turn their attention that that new up and coming rock ‘n roll band Kidd Video, and they literally roll a rock at the gang’s, knocking them and the Kiddmobile right out of the flipside back into the real world. Since their ship is messed up they decide to practice their new hit song (Video to Radio) out on a bridge near the wreckage.

Kidd Video

The special then cuts to Roxanna Banana listening to Kid Video on the radio and a reworking of the opening segment of the Going Bananas series then plays out. This bleeds back into the GB cast in their jalopy bus running into Kidd Video still playing out on the bridge and they decide to pick them up and head out to Burbank together.

Going Bananas

Things get a little weird when the special moves on to Alvin and the Chipmunks. Again, like with Spider-Man, Ross Bagdasarian Jr. reprises the role of Alvin to voice new material over clips from one of the cartoon episodes to tie it into the plot of this new story. The Grit brothers have boarded a train carrying the Chipmunks and Dave to Burbank, and the plan is to steal their train tickets so they’ll get kicked off, which they do. But when the Chipmunks get thrown off the train the special switches from animation to live action with three very bulky and ridiculously large chipmunk outfits. They’re rescued by Boz who sends the Riptide Helicopter (the Screaming Mimi) to pick them up.

Chipmunks

As the special moves into its second half the pace starts to pick up dramatically and the amount of original non-clip material is reduced. The last longish bit involves Mr. T and his gymnasts stopping at a meet they were invited to only to realize that it was a trap and they have a run in with the Grit brothers. Luckily they foil the Grit Bros. plan to steal their bus in a weird mix of live action and animation.  Though you hear his voice, you only ever see Mr. T’s real life arm (well, it was supposed to be Mr. T, but I’m sure it was just a stand-in double…)

MR T

Next up is the Pink Panther and Sons segment where Pinky and Panky, the sons of the Pink Panther are taking a bike ride through a city. The grit brothers show up and decide to paint a fake tunnel opening on a huge rock in the hopes that they will ride smack dab into it. The animation switches over to live action as a person in a huge Panky costume rides a bike straight through the painting much like in a cartoon. It’s just assumed that the false tunnel has become a wormhole to Burbank.

Pink Panther

In the second to last segment the Grit brothers are sitting in a raft and have a plan to obliterate the Snorks. They explain that everything in the Snorks underwater kingdom is run on steam and so they take control of one of NASA’s inter-continental ballistic missiles with a remote control and crash it into the sea sealing off an underwater volcano that is the source of the Snork’s steam production. This then switches over to animation where there is a clip of the Snorks removing said missile from the volcano and foiling the Grit Brother’s plan.

snorks

In the last segment Papa Smurf, the only Smurf not captured by Gargamore, figures out that O’Dette is trying not to laugh. So he develops a potion which he slips to Gargamore that makes him evaporate. Yes, Papa Smurf apparently kills Gargamore!

smurfs

This leads to an all-out dance celebration with all of the live action characters, cartoons and the guest stars (minus Panky and Thom Bray), rocking out to a spoof of the Ghostbusters theme by Ray Parker Jr.

Dance Party

I’ll be the first to admit that this Laugh Busters showcase special was super hokey and kind of hard to watch in spots, but I’m glad I finally caught up with one of these because it was great to see the mash-up of properties and characters. I know I would have loved it had I seen it back in 1984. It’s kind of a shame that it’s mostly lost to time, so as a small little capper to this experience I took the time to submit a bunch of information about the special to the pathetic IMDB listing. It’s slowly updating, but at least there’s now a synopsis, more crew and some trivia added. Hopefully they’ll add the rest of the cast that I submitted soon and this won’t be a completely lost bit of 80s fun.

And before I close this out, here’s a list of the original commercials that aired during the special…

Commercial Break

1). Fun with McNuggets: This is a fun early McNuggets commercial that still featured some of the older McDonaldland characters like the Professor and Captain Crook…

Fun With McNuggets

2). Raisin Bran BMX: This commercial is like a mash-up of the movie Rad and a kid crazy for his two scoops of raisins.  So crazy in fact that he decides to ditch halfway through the race to go eat more raisins…

Raisin Bran BMX

3). Wrangler Clothes (Live It to the Limit with Wrangler): This is the first time I’ve seen a Wrangler ad that was aimed at a young teen audience.  I’ve always associated these jeans with like older guys who work on farms or construction, so it was weird seeing the brand try and take a more Jordache spin.  Also, the commercial is an excuse to strip out of the clothes, a weird choice if you ask me…

Wrangler

4). Wendy’s Where’s the Beef?: The classic 80s Where’s the Beef commercial, ‘Nuff Said.

Wendys

5). Sneak Week with Punky Brewster, Silver Spoons, Highway to Heaven: Always fun seeing the 1st season promo material for Punky Brewster and the most adorable Brandon with an afro…

sneak week

6). Pop Tarts: Color coordinate your Pop Tarts kids.  Also, I forgot how much I missed seeing the bit where the knife is spread over the fruit filling that spells out fruit…

Pop Tarts

7). Chef Boyardee: This commercial wins the award for worst mom ever.  The little girls wants a cookie, but the mom thinking that’s unhealthy (why do you have them in the kitchen then?) stops her and gives her a full can of Chef Boyardee spaghetti and meatballs instead.  Because that’s SOOOOO MUCH BETTER.  Sigh…

Chef Boyardee

Commercial Break 2

A Very T&C Christmas!

It seems like the older I get the more my collecting urges tend to focus on some weirder things.  For instance, you can file this under obscure ephemera, but one of my favorite 80s era treasures in my collection is this lone Christmas card released back in the winter of 1988 by T&C (Town & Country Surf & Skate company.)

TandC Christmas Steve Nazar 1988

I’ve mentioned before that I practically lived in T&C shirts as a boy growing up in central Florida between 1980-1989.  I was such a huge fan of the design of the characters Thrilla Gorilla, Joe Cool, the Caveman, the little Tiki guys, Cool Cat, and the weirdo, green 3-eyed alien with the huge head.  So back in ’88 my head nearly exploded when I received an NES and the T&C Surf and Skate game cartridge for Christmas.  Even though that game was stupidly impossible to play I loved it and would stick it in before school each morning in an attempt to master the ability to surf for more than four straight seconds, or to ollie without stumbling over cracked pavement.

It wasn’t until almost 20 years later that I would finally learn that Steve Nazar was the artist responsible for bringing these rad characters to life, and only in the past year did I stumble upon the above piece of amazing holiday-themed artwork.  If I had found this card back in the 80s it would have unlocked the mystery of the artist as this one is attributed with his signature right under the worktable where the Caveman is assembling skateboards.

If you’re a fan of Nazar’s work for T&C and want to check out what he’s up to these days, head on over to his Instagram profile and check out the fun pieces he’s been sharing recently.  And tell him Branded sent ya!

How I discovered the Monster Squad…

10710926_10152738966882328_5146327273773526587_n

I’m sure most Monster Kids can recall that moment when they were exposed to and ultimately fell head over heels in love with classic horror. That first experience where they stumbled upon an issue of Famous Monsters of Filmland, when they caught a glimpse of a Basil Gogos painting, found their first Aurora monster model kit, or tuned into their first local horror host screening a beat up old print of one of the universal classics on a Saturday afternoon. For me, I can pinpoint that moment to an almost exact place, date and time. I had just recently turned ten years-old, it was in Orlando on August 22nd 1987, at the Altamonte Springs Cineplex Odeon theater at roughly 4:00pm. I know that because that was when I attended a screening of Fred Dekker’s The Monster Squad with my childhood friend Bryan and my mind was blown by what transpired on that huge movie screen over the course of the next hour and twenty minutes.

The excitement had been building for a couple weeks prior to that screening. I had about $10 worth of saved birthday money in my black Velcro Jimmy Z wallet that was earmarked for a matinee at my local theater and there were a handful of flicks that I really wanted to see that summer. I wasn’t sure if I should get a ticket to North Shore (I lived in FL and was in the middle of my surfing/BMX/Skateboarding phase), the new live action Masters of the Universe flick (I was in the waning days of my initial love of that cartoon and toy line), or Garbage Pail Kids: The Movie. Then one afternoon I was hanging out with my friend Bryan at another kid’s house that I didn’t know all that well. That kid’s parents were out shopping and we were sitting at the kitchen table flipping through the Orlando Sentinel looking for the comics and movie announcements. We were making a mess of the Arts and Entertainment section, spreading it all over the kitchen trying to find the fun stuff when out of the corner of my eye I glimpsed an ad for a film I hadn’t heard of and the tagline had me diving over Bryan to snatch up the page.

“You know who to call when you have Ghosts. But who do you call when you have Monsters?”

Monster Squad Newspaper Ad August 14 1987 2

I wish the above picture was ripped from the Orlando Sentinel, but unfortunately their archive is mainly text, but pretty much everything else besides the theater location is what I saw that afternoon.  I remember drooling over the artwork in the ad, the iconic painting by Craig Nelson featuring a group of kid monster hunters hanging out on the hood of a hearse underneath a sky literally filled with monsters. It was like the Mt. Rushmore of classic movie monsters, and at that moment I knew exactly where the remainder of my birthday money was going. All thoughts of surfing vacations in Hawaii, Dolph Lundgren as He-Man, or little people in GPK costumes evaporated from my consciousness. In my spastic excitement Bryan and his friend had stopped spreading and paper out and they hovered over my shoulders to get a look at what I was obsessing over. They were hooked too. The Monster Squad sounded amazing to our 10 year-old brains, it was like The Goonies versus Halloween and we all decided that come hell or high water we’d be catching that movie as soon as possible.

Spokane Chronicle Page Spread Aug 14 1987

That afternoon was capped off with some weird drama as Bryan and I got into an argument with his friend about the use of his home phone and our now immediate need to call a 1-900 number to “hear a special monster message”, part of the Monster Squad theatrical advertisement that ran in the August 14th papers across the country (as seen above.) By calling 1-900-660-6666 we could actually talk to a freaking monster! Bryan’s friend was having none of it as he wisely knew that he’d get into huge trouble when the phone bill came and there were a bunch of charges that he’s have a tough time explaining away. No matter how much we needled him, no matter how much we cajoled, or offered a month’s worth of sack lunch Twinkies, he would not budge.  Needless to say we were bummed and in a fit of childhood stupidity Bryan and I stormed out of his house and sped away on our bikes in a huff. That little row lasted the entire week and on that next Saturday it was just Bryan and I packed into the rear-facing, fold-up station wagon seat en route to catch a screening of a film that would forever change my life.

Twenty Seven years later and I can still feel the visceral pull of needed to call that 900 number.  When I sat down to write this my mind raced.  Dare I dial it?  Would that recording still be ready to play, sitting on an aging cassette tape in some call center switchboard, just waiting for me to finally be brave enough (and financially stable enough) to accept the charges and hear a real live (er…recorded) monster tell me some juicy tidbits about their life, or my Horror-scope, or whatever cheesy message was in store?  I had some Skype-Out credit sitting in my account so I decided what the hell, what’s the worst that can happen?  Well, it’s my sad duty to report that the number is no longer in service.  Sigh.  That doesn’t mean my research stopped there.  I dug into the internet archives hoping someone else had written about, or hopefully recorded that original message.  No dice.  Well, not exactly.  Thankfully someone on youtube managed to rip an old 1-900-660-6666 commercial from a VHS tape and upload it, though for the final nail of my despair coffin the commercial was Christmas themed.  Apparently whoever held that number changed it out seasonally.  Still, kinda neat that my detective skills were unable to unlock that tidbit I guess.

So in place of the actual Call a Monster message, here’s asimilar horror-themed 900 hotline from back in the day.  I’m particularly fond of it as it was pimped by Al Lewis, Grandpa Munster himself and called the Jr. Vampires of America Club!

Also, this first post is just the taste of a much longer article that I recently wrote for the premiere issue of Monster Shindig magazine which should be debuting later this month!

Lastly today’s first Monster Squad Trading Card!!!

Monster Squad Wrapper

I made a mini set of 80s Topps-style digital trading cards for my favorite movie of all time, one that unfortunately never had an official set released (or any merchandise for that matter.) So come back each day for Trick or Treats and collect them all!

Today’s card is #10, The Mummy!

10 Mummy F-B

15044260840_0dd488a2cc_o

Apparently 8 is the magic number…

So, in just a couple of weeks Branded in the 80s will turn 8 years old.  Though it’s kind of arbitrary, we tend to focus on the “big” anniversaries in the five-year increment territory, but I had a couple of milestones I really wanted to hit when I started this project.  The first was making it to the seven year mark because I have a special fondness for that particular digit.  The second is marking the 8th birthday of the site because again, it has a special meaning to me.  I first dreamed of having my own little spot on the internet back around 1998.  I’d been farting around the interwebs via AOL and Compuserve and I really wanted to stake out a small piece of the digital landscape to do something.  My best friend, who was in the midst of getting his computer science degree at the time, had just recently built a website for a class project and he promised me he’d help me build one of my own.  It never materialized, though a lot of that had to do with my not knowing exactly what it was that I wanted to do with a website.  Regardless, that marks the beginning of what would eventually become Branded, and it took me eight long years of brainstorming and procrastinating before I eventually settled on what I wanted to do.  So in the back of my brain I’ve always hoped that I’d be able to keep this thing going at least as long as it took me to get it off the ground.  Well, mission accomplished I guess.  As for my next milestone, well, I don’t really have one I guess.  I’m kind of curious to see what will happen at the eleven year mark considering that will mean that I would have spent slightly more time talking about the 80s than the decade itself lasted.

Anyway, when I look back at where the site started and where it really took off for me the one aspect that kind of changed everything was when I started investing in a pretty stupidly large collection of 80s stickers to scan and share.  Part of this came out of wanting to acquire a bunch of the stickers I had as a kid, but another was that there was a distinct lack of sticker scans floating around on the internet and I felt like it was an opportunity to contribute a small portion to the digital nostalgic pop culture zeitgeist.  One of the aspects I love about the nostalgia-minded community is the eagerness to share the cool junk that we love.  So it was pretty neat timing that while I was thinking back on all of this I was approached by the cool lady behind the rad RainbowBrite.co.uk website with to help share some fun stuff.

cologo01She obviously runs a pretty neat Rainbow Brite fan site, so she acquired a bunch of info and ephemera to post up there.  But in her research and collecting she’s amassed a bunch of other cool non-RB stuff that she felt needed to get out there.  So she graciously offered to send me some scans of a pretty neat 1985 Mattel Events Guide to share here at Branded.  Tying this in a bit more into my silly milestone is that I just happened to turn eight the year this Event guide was published (seriously, there has to be something to this, numerology-wise…)

Mattel Events Guide 1

These event guides were sent out to retailers as a way for Mattel to bolster excitement for their product lines and I’m sure to secure a larger market share of the retail market by encouraging stores to increase orders and devote more shelf and peg space to Mattel stuff.  They did this by helping to host local in-store meet and greet events with some of Mattel’s most popular brands and characters.  So if you were lucky enough to shake hands with Skeletor at a Toys R Us back int he day, most likely this was one of the guides that the store had to help them schedule and promote the event…

Mattel Events Guide 2

It’s really cool to get a glimpse into this aspect of the marketing and promotion of some of our favorite toys from back in the 80s.  Not only is it cool to see some rad artwork that only exists to promote these in-store events (like the neat illustration of the Hot Wheels play area that was shipped to the store), but it’s also awesome to see and read about some of the swag for the event that was either given away (like the Hot Wheels kid’s drivers licenses) or became a “free item with purchase” like the super cool Hot Wheels combination watch/wallet below!

Mattel Events Guide 5

1985 was also a great year for Mattel toys because they were hip deep in the Marvel Secret Wars toy line…

Mattel Events Guide 4

What really struck me about this Secret Wars event is that it wasn’t just geared towards boys.  Mattel makes it clear that “boys AND girls” will received a free water color poster.  That kind of inclusion back in the 80s seems pretty rare, but then again, Mattel worked on some pretty progressive toy lines like these two favorites, Princess of Power and Masters of the Universe!  I mean I know most of the boys who were into He-Man were also secretly into She-Ra…

Mattel Events Guide 3

Man, I feel like I missed out so much on these in-store events.  I never managed to attend one and after reading through this guide I feel like I missed out on some amazing experiences and swag.  So, I wonder if a little boy could have been initiated into the Legion of Good receiving a free golden power ring and poster?  I sure as hell hope so.  Also, holy crap, a 15 foot high replica of the Crystal Castle?!?  How awesome would that have been to see?  I wonder if the stores had to ship them back or of they were ordered to destroy them.  I have to imagine that one of these must have made it into a private collection.  Hell, at that size it would practically be big enough for kids to play in as a fort.  The mid boggles at the possibilities…

Mattel Events Guide 6

Apparently for ’85 Mattel introduced new full body costumes for He-Man and Skeletor.  I’ve seen photos of buff guys in the He-Man duds before, but never a full body costume like this complete with toy-accurate mask and all.  I like that they even managed to replicate the spiny fin on Skeletor’s wrists (like on the toy…)  Sadly there was no 15 foot Castle Greyskull or Snake Mountain, but there were some pretty rad glow in the dark posters!

Mattel Events Guide 7

A lot of this stuff has to be pretty rare.  I searched for awhile and couldn’t find and example of the glow in the dark Masters of the Universe poster (not even on He-Man.org!)  So it;s cool at least to get a glimpse into this promotional world to know that this stuff exists.  FYI, there’s a bit more to this Event Guide, specifically the Rainbow Brite section, but if you want to see that head on over to the cool RainbowBrite.co.uk to find out what was in that in-store event.  Thanks again to them for sharing this rad piece of 80s toy ephemera and helping to make the nostalgia community that much richer!

Mattel Events Guide 8

 

Filed Under, “WTF, why didn’t I know this!”

After writing about some of my favorite arcade games on Monday and talking with you guys about some of yours it came to my attention that there are a lot of pretty radical games that I missed out on over the years.  One in particular made my jaw drop though as I’d never even realized it existed.  Thanks to Tom Krohne for pointing me to the fact that a multiplayer Real Ghostbusters Arcade Game actually exists!

RGBAG Small

Also, while I’m on the subject, I love these dealer ads meant for the various arcades and pizza joints.  “3-Player Simultaneous Play for increased earning power!”  “The Real Ghostbusters Logo increases initial attraction to game play!”  You can read that last factoid as: “By the way, the actual game play barely features Ghostbusters-esque characters, none of which are wearing cartoon accurate colors, so at least the logo will get kids popping quarters in!”

Anyway, thanks again Tom, now I have to track one of these bad boys down…