Tag Archives: Ghostbusters

Wait, there are four Ghostbusters?!?

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Poor Winston Zeddmore and Ernie Hudson, it seems like outside of the Real Ghostbusters cartoon and the various comic book series Winston/Hudson is always getting the shaft.  Whether it’s being dropped from 95% of the merchandising of the first film not appearing on the posters or on some of the home video releases over the years, the fact that Hudson is snubbed for most of the film’s original trailer (there’s even a montage of everyone who is starring in the film and when it gets to Hudson, the footage is there but only silence from the announcer), or the fact that Hudson was even passed over when he auditioned to reprise the character in the cartoon for crying out loud.  Both the character and the actor can not catch a break.  I’m surprised they didn’t put William Atherton on the poster just to rub it in a little more…

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Well, I’ve been aware of these slights for awhile, but I never realized just how deep this snubbing went.  Last week I found that copy of Starlog (issue 98 from September of 1985) and while flipping through it there was a spotlight on Ernie Hudson, specifically in reference to his recent stint as one of the Ghostbusters.  At first I was just skimming the article because I thought it was probably a fluff piece, but the more I read the more I realized that even though he was overjoyed to work on the film and is happy with the final result, the Ghostbusters he helped make was not the one he signed on to star in.  In fact, if the version of the script that swayed Hudson to sign on had been filmed things would be a lot different!

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Sigh, Hudson doesn’t even get a blurb on the cover…

First of all, the way Hudson frames it in this article the character of Winston was in the film longer, originally hired at the outset with Janene when the trio of Stanz, Spengler, and Venkman open the business.  But aside from that there was originally a much richer back story for the character including the fact that he was ex-military, and not just some random guy off the street looking for a job.  He always felt like the odd man out in the films since he wasn’t a scientist like the other three (well Venkman is debatable.)  On top of those slights, some of his bits from the original script were dished out to other characters during filming.  For instance Winston was originally the character that was to be cornered by Slimer in the hotel hallway, which of course went to Bill Murray.  Then later in the film it was Zeddmore that had the Stay Pufy brain fart that brings the Destroyer in the form of a giant marshmallow man!  Well, at least he still gets the “big Twinkie” line…

You can read the article for yourself below…

So, what do you think, has Winston been getting the shaft?

Awkward Toy Family Photos…

Though I’ve been more or less away from the site for the last few months, I’ve still been mucking about with some geeky nostalgic stuff.  In particular I’ve been having some fun on Instagram taking a series of photos of my current toy collection.  Since I’ve broken down and started picking up some more vintage toys lately (ones that I used to own not mint on card or in box), as well as picking up some modern nostalgic figures here and there, I thought it would be cool to jumble these up and create some goofy Awkward Toy Family photos to document the collection.  That’s one of the things that I enjoy about Instagram is that it only takes a few minutes to grab a few toys from the shelf and snap a picture before heading out to work.  It’s never going to replace Branded, but when I’ve got a crap ton of real life things eradicating my time to write, it’s a great way to still feel engaged. So, with that in mind, here are some of the photos I’ve shot over the summer…

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This is one of the first I shot, and it was just totally on a whim.  I love the idea of Faker giving piggyback rides.  My good buddy HooveR had sent me this Captain Power figure and that small act of kindness is pretty much what helped me break through my aversion to procuring loose, used, old toys.  I had forgotten how cool the Captain figure was and had a blast pairing him up with my Masters of the Universe figures, so I just said “screw it” and started hitting up eBay.  So thanks Hoov! ;)

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Speaking of the Captain, here’s a photo for a failed 80s band that could never reproduce the popularity of their first and only major label record.  Emmdubs, a swell dude I follow on the social media was kind enough to send me his old Miles Mayhem figure, and I had just recently picked up that sweet Tux Go Bot mint on card at a local antique shop for only $7.

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I envisioned this photo as three hard working dudes getting together after a tough day of doing whatever jobs requires wearing these cumbersome masks.  Emmdubs has also sent me this Matt Tracker figure, and I went ahead and pulled the trigger on two of my favorite childhood action figures from the Star Wars and G.I. Joe lines (the AT-AT Driver and Wet Suit.)

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Next up is my cadre of feathered heroes including Quicksilver from the Silverhawks (the only Silverhawks figure I owned as a kid), Jason from Battle of the Planets, and Gizmoduck from DuckTales.  I had this GD cereal premium as a teen and cherished it so much that I turned it into a lucky necklace and wore it to my high school graduation.  Some ridiculous teacher saw it and snatched it away from me and I never found her to get it back.  By the by, man is it ever hard to find a decent condition Silverhawks figure.  The chrome plating wears off so easily so 97% of the loose figures I’ve seen look terrible.  Took forever to find this one…

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Here’s a weird toy robot family photo including my all time favorite Transformer Sideswipe, Cliffjumper, a cool Decoy of Smokescreen, and my favorite Go Bots toy, the Super Go Bot Psycho!

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Switching gears a bit, here’s a picture of some of my favorite childhood motorcycles (Sly and Piranha & Brad Turner and Condor from M.A.S.K. along with Afterburner from the Transformers.)

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Here’s another early one that I’ve posted before featuring a D&D Wardule, Tonto from the Gabriel Lone Ranger line and a demon from Blackstar.

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For those of you who are longtime readers you’ll know that I love Robo Force and I REALLY love their sweet hugging action feature…

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Remember that time He-Man and Teela ended up in the spirit world and really needed some help getting the new tenants of Castle Greyskull to move out?  Beetlejuice was not the greatest option, but they had to try…

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Some of my favorite super hungry and ornery aliens and ghosts!

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Hands down, my favorite G.I. Joe figure had to be Dial Tone.  Such an under appreciated figure and character.  He’s posing with a sweet water color portrait by the kickass Christopher Tupa!

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I also ran across some of my Micro Machines star wars tiny mini figures, so I did a couple of shoots with them and their larger counterparts.  Admiral Ackbar can not repel cuteness of that magnitude!  As for the Gamorean Guard and Greedo, I think the guard got the better end of this trade by far…

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And speaking of Greedo, last but not least, Greedo playing Space Invaders (which was what I was fiddling with while recording a recent episode of the Nerd Lunch podcast with the Retroist as a guest…)

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So check me out over on instagram.  I try and post regularly and do my best to keep it fun!

 

I collect spores, molds, fungus, and glow in the dark vinyl…

About a month ago my good friend Tim over at Flashlights Are Something to Eat and the Neighborhood Archive tipped me off to the special Record Store Day vinyl re-release of Ray Parker Jr.’s titular hit from the 1984 Ghostbusters soundtrack.  Not only is it special in that it’s part of the 30th anniversary celebration this year, but the 10″ single would also be issued in a “slimed” edition (aka glow in the dark vinyl.)  I’m typically not an avid collector of albums on vinyl since I don’t own a turntable and have pretty much all my favorite music at my fingertips digitally, but the allure of a glow in the dark Ghostbusters album that would look pretty darn rad up on the wall of Branded HQ was a bit too much for me to pass up!

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Though I was vaguely aware of the annual Record Store Day events, I’ve never turned out for one and as the weekend of the release approached I was getting a little apprehensive.  I’d started hearing horror stories about folks waiting in lines and in some places even camping out over night.  “Seriously?!?” I wondered aloud to my empty office last night at work while looking up my local participating stores.  I mean it seems like vinyl enthusiasts are a niche group as it is, and I just can’t imagine that there are enough (in the per-store ratio sense) to necessitate forgoing showers and the comfort of sleeping in on a Saturday just to snag some limited edition records.  I thought it was weird enough when people were lining up for Episode I all those years ago, let alone copies of the Pink Panther soundtrack on pink vinyl or the Nirvana singles collection.  I started wondering if it was even worth trying as the forecast Saturday was calling for rain and temperatures in the 40s.  So I called ahead and made sure there was a store near me that actually had this Ghostbusters release in stock, and luckily there was.  Except they only had two copies.  In fact, I was hearing that the entire release was limited to 1000 copies nationwide.  Now my head was filling with images of having to stand out in the cold rain in a tug of war battle with a couple other aging nostalgia nuts fighting over who got to take one of these home.

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When I arrived at the store (the CD Warehouse in Duluth, GA) 30 minutes before opening there was a small line of record lovers waiting patiently for the place to open.  I didn’t see anyone decked out in full Ghostbusters overalls with proton packs, so I started to feel my chances were pretty decent.  All my worries dissipated when one of the employees came out and made a list of everyone’s name and one record that they wanted to call dibs on.  I was the only one with a wide smile, proudly stating “Put me down for one Ray Parker Jr. please!”

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Three minutes later (and $17 poorer) I had my hands on this beautiful new piece for my Ghostbusters collection.  I didn’t have to elbow anyone in the face or threaten to shut down a containment unit either.  When I got home, being the nerd I am, I immediately help the record up to my overhead kitchen light and charged the vinyl so that I could see it glow in all its spooktacular glory…

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I can’t quite put my finger on why, but there’s something I find amazingly alluring about that pale minty green color of glow in the dark products.  I think it might even be giving hot pink a run for its money as my favorite color…

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Though billed as a 10″ single, this album actually features four tracks.  Side A has the original hit by Parker Jr. as well as an instrumental version, while side B features a DJ remix of Ghostbusters and an extended 6-minute version as well.  So it’s almost like an EP I guess.  I actually stumbled upon one of this compilation’s producers, Michael Duquette, on instagram yesterday when I posted a picture of the record while announcing my intention to hunt one of them down.  I just want to say that he and Jeff James (the other listed producer) did an amazing job on this record.  I love the design, especially how the GB logo backing shows through the translucent vinyl, and the simple clean logo center sticker on the album.  There’s also a nice version of the original trio from the movie poster on the back of the insert…

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Checking online as I left the store I started feeling pretty lucky that I managed to snag a copy of this album.  Seems like a lot of folks who were hunting for a copy were leaving stores empty-handed.  Again, a lot of the news articles online pegged the pressing at 1k copies, as did Duquette when I asked.  The Record Store Day website lists the album as a “RSD First Release” though, which seems to point to the fact that it will possibly be released more widely down the road a bit.  My copy was also numbered 5103, while a friend in another state had one stamped 2340, so I’m not sure how accurate the 1000 pressings figure is.  Maybe there are only 1000 in glow in the dark vinyl?  Either way, I hear they’re going for stupidly high amounts on ebay (man I hate scalpers), so if you’re looking to pick one of these up I’d suggest waiting a bit for a wider release.

So, there were also some other pretty neat albums re-released in limited runs today including the original Muppet Movie soundtrack.  Anyone out there brave the crowds and score some fun vinyl?

Is it worth revisiting 80s films on the big screen?

It may sound weird, but I find myself asking this question a lot.  Over the past decade I’ve noticed that a lot of the films I grew up loving have started seeing revival screenings in movie theaters.  It actually probably started in the late 90s with the 20th anniversary of Star Wars and the special editions that were re-released on the big screen.  Not long after there was a 20-year anniversary screening of Ridley Scott’s Director’s Cut of Alien, and eventually there was the 2002 special edition of E.T.  At the time I was in college and hitting the theater multiple times a week as it seemed like I had tons of free time and extra money for catching movies.  These days both time and money seem to be vanishing into a black hole and I barely make the room in my budget or schedule for new movies, let alone flicks I’ve seen dozens, sometimes (gulp – I’ll admit) hundreds, of times.  I tend to throw on 80s flicks while I’m farting around home, doing chores, cooking, or just for background noise while I’m working on the site.  So I feel like I’ve seen so many of these movies to death, and when the opportunity comes for catching one of them on the big screen I always find myself wondering if it’s really worth it.  I found myself skipping out on a lot of opportunities to catch these flicks in the theater until this past fall when I snagged some unbeatable deals.

There’s a small theater chain in my area called Studio Movie Grill that’s been hosting a series of semi-monthly $2 screenings featuring one-night-only engagements of some pretty cool 80s flicks like Ghostbusters and E.T.: The Extra Terrestrial.  At two bucks I couldn’t pass up on the chance to see both of these on the big screen again (both of which I saw back in the early 80s, E.T. during both it’s initial run and when it was brought back into theaters in 1985.)  I had a lot of fun reliving the theater experience with these, both of which were filled with families that were exposing their kids to them for the first time (as I gleaned from overhearing parents explaining the various plot points during the movie), but would I still go in the future if I wasn’t getting such an awesome deal on admission?

Short answer?  Yes.  Emphatic yes.  If you would have asked me before I went into both of these screenings if I thought I’d learn or experience anything new about these movies that I’ve seen so many times I stopped counting, I would have chuckled and said no.  I mean between the ability to practically get the theatrical experience at home on a 60-inch screen with surround sound, or slim likely hood that I’d notice anything that hasn’t already been documented a million times on the internet, what new could I really get from seeing these in the theater?  Well, I would have been wrong for dismissing the experience because for the first time in a very long time I saw these movies with totally fresh eyes.  I’m sure part of this is the communal theater-going vibe, but I noticed so many little details that I never noticed before.

For instance, in Ghostbusters I never noticed how many times the Stay Puft brand is peppered throughout the film before we get to see the form of the Destroyer that so innocently just pops into Ray Stanz’s mind.  When Dana comes home from shopping she unpacks a bag of Stay Puft marshmallows for one, but there are also mural advertisements on the sides of buildings in some shots!  Also, did you know that none other than Ron “The Hedghog” Jeremy has a cameo appearance in the crowd scene right after Walter Peck has the containment unit shutdown?  Yup, he’s there in the crowd.  I also never noticed the Chinese hat Ray is wearing as a thank you gift in the montage sequence when the Ghostbusters’ business is taking the city by storm (when they apparently helped a restaurant rid themselves of a spook.)

As for E.T., I took extra special care to keep an eye out for details in Elliot’s room since I’d been having so much fun analyzing the bedrooms in 80s kid’s flicks recently.  I already did an examination of his room a while back, but damn if I didn’t find more stuff!  First of all, when I originally dissected the room there was a weird dart board cabinet that I couldn’t identify (number 15 in the below picture…

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Well, it was as plain as day on the big screen.  #15 is in fact an Artful Dodger dart board cabinet from Oliver Twist!

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Now that I’ve identified that it doesn’t do much to explain why the Artful Dodger is on a dart board cabinet, but still, mystery solved.  In addition to this I also noticed some more toys in Elliot’s room, as well as in their living room!

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1). Chutes and Ladders boardgame

2). Magic 8 Ball

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3). Lego Universal Building Set

4). Empire Strikes Back Twin-Pod Cloud Car

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5). Super Simon Electronic Game

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Though the Super Simon box is in the screen shot above (in Elliot’s room), the game itself is actually on a shelf in the living room…

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But for the first time I noticed that there are also some other fun things in the living room like…

6). An Atari 2600

7). Big Trak from Milton Bradley

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There were also a bunch of other small, fun things I noticed throughout the film.  Little details, like how John Williams drops into Yoda’s Theme for a could of beats during the Halloween scene when E.T. sees a kid dressed up in a Don Post Yoda mask…

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…or the fact that Dee Wallace is wearing a really weird handgun pin on her vest in one sequence…

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Sure, these things haven’t radically changed my outlook on the film, but any time I have the opportunity to learn something new about a film I thought I knew everything about, well that’s worth a full-priced movie ticket if you ask me.

I’m actually pretty excited as the Studio Movie Grill has announced their 2014 schedule of $2 revival screenings and there are a bunch of flicks I can’t wait to see in the theater (and for some it will be the first time I’ve seen them on the big screen.  There are two categories of events, the Brews & Views and the Family Rewind.  The former features some more recent fare mixed in, but there are a few flicks I’m looking forward to catching…

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Totally looking forward to catching Alien, Temple of Doom, and Jaws.  As for the Family Rewind, there’s way more on that list that I’m going to try and catch…

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I mean, holy crap, I never got a chance to see The Neverending Story, Labyrinth, Goonies, Annie, The Princess Bride, and Gremlins in the big screen as a kid, and I can’t wait to see Back to the Future and Big on the silver screen again.  All in all this looks like it’s going to be a fun year at the movies catching up on all my favorites from the 80s!  So seriously, if you get a chance to catch a revival screening, or you have a Studio Movie Grill near you, it’s totally worth seeing these flicks in the theater again.  You won’t regret it!

Rebuilding the 80s, brick by brick…

So it was announced today that the 7th official Lego Cuusoo project is going to be brick artist Brent Waller’s Ghostbusters play set.  I was pretty excited when I saw the news because the work he did on his Ecto-1 is kind of beyond superb…

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Not only is the Ecto-1 really beautiful, but his minifigs of our four heroes managed to really nail the personalities of Egon, Ray, Winston, and Peter.

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For those unfamiliar, Lego Cuusoo is a community-building based platform to submit ideas to Lego.  These projects are put out to the public for support, and if they garner enough attention and votes the project is submitted to a review board for the possibility of becoming a production set.  The set that drew my attention to this concept was the Back to the Future DeLorean submitted early last year…

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The DeLorean wasn’t the first “branded” Cuusoo project, but it’s the first older property that I’m sure fans have been making builds of for years to finally see an official release.  I haven’t picked it up yet, but it sure is tempting.  The final build is slightly different than the proposed version above, a little blockier and a bit less sleek, but it’s still pretty fantastic…

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Coming hot on the heels of M. Togami’s Back to the Future DeLorean, this new Ghostbusters project got me thinking about what other possible 80s era projects builders have in the works.  I mean with two major 80s properties now available you know folks have to be scrambling to showcase their skills on other franchises.  It reminded me of a pretty rad series of Goonies sets I saw up on the site recently designed by a builder that goes by the handle Lyonsblood…

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These Goonies sets manage to capture the adventure and aesthetic of the film in a very condensed format.  Take the organ of bones play set he calls Skeleton Scare.  The slide, the pit of spikes and the overall design of the cave are very rad and easily evoke the flick.  He’s also designed a set for One-Eyed Willie’s pirate ship…

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But what really sold me on the Goonies designs were the minifig sets of both the Goonies gang, as well as Mama Fratelli and her boys.

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As neat as these were I figured they’d probably never see the light of day, but after seeing Funko release a series of vinyl Pop Goonies figures there might be some hope just yet!  So, what other fun 80s-centric projects are floating around on Lego Cuusoo?  How about this rad large format build of the Dukes of Hazzard General Lee by artist Kenta974!

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I love how he rendered the rebel flag on the roof, though it’s a design element that is the nail int eh coffin of this project never coming to fruition.  I’d have a hard time seeing Lego seek branding approval for such a controversial symbol as that iconic flag.  Even so, the build is awesome.  While we’re on the subject of rad cars, how about this super cool rendition of the Knight Industries Two Thousand by StevesXD

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He really managed to nail K.I.T.T.’s sleek curves and I think any Knightrider fan would love to have this on their shelf…

How could we have the Ecto-1, BTTF Time Machine, the General Lee and K.I.T.T. without the A-Team and B.A.’s super cool van?!?  Thanks to Isreal Lemus, we can take a look at a possible design as well as Hannibal, Murdock, B.A. and Faceman…

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Are we likely to see these other projects coming to full Cuusoo fruition?  Probably not.  I’d have to hazard a guess that the A-Team is too violent a property, the Dukes of Hazzard too controversial, and Knightrider not quite popular enough on the pop culture spectrum to garner enough potential buyers, but I think that the Goonies set has an honest to goodness shot if it can manage to get enough votes to put it in front of the review board.

The only build that’s absent from this list that really surprises me is Airwolf.  I must have spent two solid years trying to perfect my own “Lady” out of my rag tag mix of Space and Town sets as a kid.  I’m really kind of flabbergasted that no one has submitted a build for one on Cuusoo yet.  I couldn;t close out this post without one though, so here’s a beautiful build of the “Lady” by artist Orion Pax

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My Pop Culture Parking Lot…

It’s been awhile since I’ve talked about my love for tiny pop culture vehicles here at Branded so I decided to gather up all of my little die-cast beauties and go outside for a little photo-shoot this past weekend.  I can’t even begin to say how happy I am that companies like Hot Wheels and Johnny Lightning are putting out so many 1:64 scale toys to feed my obsession with 80s era cars, trucks, and other rad modes of transportation from all the films and TV that I loved as a kid…

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I don’t have everything that I’d like to have in the collection, but it’s getting to the point where the tiny valets are having a hard time finding a place to park these babies!  I shared the handful of vehicles I managed to procure a couple years ago on the site a while back, like the Back to the Future DeLorean and Tron: Legacy Lightcycle in the picture above.  Since then I’ve managed to track down a bunch of new releases, as well as a couple of older pieces that I’m really excited about.  For instance, right behind the DeLorean you can spot Cooter’s Mustang from the Dukes of Hazzard.  Speaking of the DoH, I finally managed to track down an ERTL General Lee!

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That’s been a huge hole in my collection for years, but now I can start jumping over all sorts of 1:64 scale lakes and ravines.  Of course, what fun is having Bo & Luke’s sweet ride without Roscoe’s Sheriff Cruiser to chase it?

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I didn’t have that many little toy cars as a kid (though I distinctly remember playing with the yellow Incredible Hulk Hot Wheels Scene Machine), but I always wanted these Dukes of Hazzard cars.  I had a friend named Timmy who had a bunch of them as well as a large fold up plastic floor mat that had all of Hazzard county on it that he received for his birthday.  I have some vivid memories of laying down near that mat tracing the various roads with my finger while munching on some novelty bologna bubble gum slices that Timmy also got for his birthday…

One of the rad aspects of 80s era TV was all of the shows that either featured some cool cars or were dedicated to an awesome vehicle like Street Hawk, Riptide, Magnum P.I., Airwolf or the ridiculously awesome Knightrider!  Thanks to the recent Hot Wheels releases I now have K.I.T.T. and even K.A.R.R.!

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I was just reading that there should be a third Knightrider release in the 2014 Retro Entertainment series from Hot Wheels, so I’m curious whether we’ll be getting one of the two cool Semis, either the Knight Foundations mobile command 16-wheeler or the evil Goliath!

Of course any collection of neat TV vehicles wouldn’t be complete without B.A. Baracus’ van and Face’s cool white Vette from the A-Team

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But not all of my favorite TV vehicles hail from the 80s as there were some other shows that I adored as a kid which I caught in reruns on Nickelodeon (either during weekdays or on Nick at Night.)  I was so excited when I realized that Johnny Lightning released the Monkees’ Monkee-Mobile back in 1998…

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Similarly Johnny Lightning put out the Munsters’ Koach in the early 2000s…

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I decided that I wouldn’t limit my acquisitions to just real vehicles either and was super stoked when Hot Wheels started putting out cartoon-accurate stuff this past year as well.  I had to have the Scooby Doo Mystery Machine…

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Hot Wheels has also begun releasing some other Hanna Barbera vehicles like the Flintstones family car and the Jetsons spaceship.  It’s kind of blurry in the background of that first parking lot photo, but if you squint you can make out the Flintstones car on the back right.  I decided not to feature it as there’s a better version hitting store shelves soon that has more accurate colors that I’d like to pick up.

Drawing from the 60s (and another show I caught in reruns) as well as the 80s are a couple of my favorite variations of the Batmobile…

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I used to have an ERTL Burton Batmobile, but lost it along the way over the years so I was really happy to replace it with the newer Hot Wheels release.  I was also happy to finally pick up the ’66 version from the old Adam West show recently as well.  Segueing into films, I wanted to share the first pop culture vehicle that sparked off this current trend in Hot Wheels retro cars, the 2010 release of the Ecto-1 from Ghostbusters

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According to that 2014 release article I linked to above we’re in store for a second Ghostbusters vehicle release this year which I’m assuming is the Ecto-2 from the sequel (with the digital marquee and the checker tape siderunners.)  It would be kind of cool to get the beat-up original version of the hearse before it was pimped out by Ray though.

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Even though Hot Wheels has ramped up their production of these pop culture cars they’re still pretty difficult to find on store pegs.  I’m sure it’s a mix of scalpers snatching up all the product and the popularity of these coveted 1/64th scale cars, but it can be a real headache for collectors.  For instance I’ve been looking everywhere for the recent release of the Muppet’s converted school bus from the first flick.  I have yet to see one in the wild, but I was super lucky when gentleman and scholar CT over at Nerd Lunch very graciously gifted me with one this past Christmas!

Electric Mayhem Muppets

In fact that’s also how I managed to procure the Knightrider K.A.R.R. above, when the super cool William Bruce West sent me one he found.  I’ve been trying to spread the tiny car karma around whenever I find stuff that are hard to track down (like the Kroger grocery store Halloween Hot Wheels exclusive Slimer redeco Ecto-1 above…)

The most recent car I’ve tracked down for my collection isn’t an official pop culture car release, but close enough for me, this 1958 Plymouth Fury, AKA Christine from the Stephen King novel and John Carpenter movie…

Christine

Even though my pop culture parking lot is getting pretty full there are still some wishlist items that I’d love to hunt down, both releases I know are coming and some that I’m hopeful for (but not holding my breath.  So I’ll end this with my wishlist, but I’m curious, what vehicles do you have in your collection and what are you looking to procure?

Branded 1:64 scale vehicle wishlist….

1). Airwolf (Released by ETRL in the 80s, but also a Japanese Hot Wheels exclusive)

2). 1948 yellow Ford Super DeLuxe Club convertible from Karate Kid (potentially this year!)

3). 250 GT California model Ferrari from Ferris Bueller (Available from Hot Wheels)

4). Ecto-2 from Ghostbusters II (There is a Johnny Lightning release)

5). Buckaroo Banzai Jetcar (no chance in hell, sigh)

6). Porkchop Express from Big Trouble in Little China

7). Mad Max’s Interceptor (maybe with the new flick?)

8). Street Hawk motorcycle

9). Megaforce Dune Buggy & Motorcycle (Hot Wheels 80s)

10). Flight of the Navigator Spaceship

11). Thunder Road from the Explorers

12). Dracula’s Hearse from The Monster Squad

13). Mama Fatelli’s 4×4 from The Goonies

14). Light up VW Bug from The Money Pit

15). Harry’s Mutt Cutts Van from Dumb & Dumber

16). Wagon Queen Family Truckster from National Lampoon’s Vacation

The Seedy Adult Underworld of 80s Family Entertainment

I know every generation says this about the decades when they came of age, but growing up in the 80s was seriously a whole different world; like living on another planet at times.  There was a lot more going on when it came to entertainment aimed at kids in terms of adult themes and material that surely went over the head of most of the viewing audience.  Looking back I love this and really appreciate that the creators and writers didn’t dumb down the content, even if some of it might stray a little further towards “adult” than many people might realize. You definitely saw this in a cartoon like Ren & Stimpy (which granted was the early 90s, but was the culmination of the freedom the previous decade expressed), which constantly toed the line of what was considered decent for a kid’s show.  Heck, I’ve mentioned before that I think John Kricfalusi is very probably the guy responsible for animating anthropomorphic penis aliens into the background sequences in the Saturday morning cartoon Galaxy High (particularly in the first and second episodes)…

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I was having a conversation with a co-worker the other day about catching up with some 80s flicks that they hadn’t seen in over 20 years, in particular Ghostbusters and the Goonies.  The topic turned to the awkward dream sequence featuring a sex scene between Dan Aykroyd’s Ray Stanz and spectral “presence”.  I guess you could call it oral innuendo, but the background behind that sequence is pretty plain.  Ray banged a ghost.  It’s one of the interesting aspects of reading the original Richard Mueller novelization

Ghostbusters Novelization

In the book (which is based on the Aykroyd/Ramis screenplay) we learn that, that dream sequence was actually from a real sequence planned for later in the film.  Right after Ray and Winston are driving through the city talking about the end of the world, when the two go to Fort Detmerring looking for a spook. They split up and Ray stumbles upon a room that is a replica of a revolutionary war officer’s barracks. He finds a uniform and puts it on, lays on a bed and promptly falls asleep. When he wakes, the ghost they were looking for is about to go to town on his junk. Apparently this sequence was largely cut, but I’m betting none of them wanted to ditch the blowjob joke, so they sandwiched it into the montage (and it also explains the old war uniform Ray is wearing beyond the fact that they morphed the scene into a dream.)  What’s even weirder is that this is actually the culmination of a plot thread in the book where Ray is both lonely and changing his feelings about catching the ghosts. Since Peter is courting Dana and (in the book) Egon and Janine are becoming an item, Ray is looking to blow off some steam, and the experience with the ghost is just what he was looking for. Also, there’s a bit with Ray thinking about how it might be wrong to catch these ghosts just to jail them in the containment unit, and when he awakes to his spectral date-night he wonders if maybe some ghosts are good.

The author, Mueller, actually expands the sexuality in the novel here and there. For instance, everyone thinks about sex to one degree or another, but if I’m used to dealing with a character where this is never brought up, say the Librarian in the opening sequence of Ghostbusters, then when she starts “thinking” about how she feels guilty for seeking out all kinds of ancient kinky woodcuts featuring taboo sexual practices in the library’s non-public collection, well, I get a little weirded out. As far as I can tell, the librarian character in the script is slightly different; she’s written to be rotund and in her mid to late twenties, but for all intents and purposes the scene in the script is almost shot for shot what we’ve come to know and love in the final film. Mueller, though, felt the need to paint her as a bit more sad and depraved, which for an incidental character is pretty weird. This sort of thing pops up here and there in the novel, including in the scene where we’re first introduced to Dana as she gets out of a cab and goes into her building. The narrative is fractured into a bunch of perspectives as a handful of people on the street take notice of her and give their two cents. One of these includes an elderly man walking his dog who glances at her and thinks, “…how long (has) it been since it’s been long…

This is actually a trend in 80s era novelizations, and for some movies that might be surprising, like say, the Goonies book

Goonies Novelization

Now you may be asking what could possibly be sexualized in the Goonies, I mean it’s not like there’s a secret love scene between Chunk and Sloth right?!?  Well, Sloth love Chunk, but that’s actually (and thankfully) not explored in the novel, but that didn’t stop author James Kahn from evoking electricity-induced orgasms.  Say what?!  Um yeah.  So in the wishing well sequence, at the end, after Andy has sent up the bucket empty, all the kids realize that they’re covered in leeches. Data has a bright idea and end up strapping two wires to a 20-volt battery. He sticks the wires in the water by his feet sending a light electrical charge through his body that’s lethal enough to kill the leeches. He does this for the rest of them, and afterwards, James Kahn tags on a small scene that is, well, almost obscene. After getting the shock, Andy and Stef are standing off to the side, and Kahn describes them as having “…limp smile(s) and small sigh(s)…” Then Stef says to Andy, “I got all tingly – just my luck, I’m in love with a pond!” After which the following passage appears: ‘It annoyed Andy, for some reason, I don’t know, like someone had made her feel good and she didn’t want to…’ Then Andy hauls off and slaps Data saying “Don’t-you-ever-try-that-again-with-me-Buster!” What the hell! Did Kahn actually suggest that Andy and Stef had orgasms from the electric shock!?!  Yeah, yeas he did.

What I’m really curious about is how much of this was in the original shooting script.  I know the leech sequence was in the script (as it made it’s way into both version of the book, including the leaner kid’s version) and was shot and deleted (and has sadly been lost to time), but how much of the subtly was in the actual film versus something that Kahn added for the book.  On the one hand, looking back this is so weird and out of place in the story, yet I have to remind myself that I was reading about pre-teen and teen orgasms in Judy Blume books when I was 7 years old!

There had to be flicks that were completely pure and free from blowjobs and sexual innuendo though right?  I mean you’d never see any of that in E.T. The Extra Terrestrial right?!  Wrong.  Again, taking a look at the novelization by William Kotzwinkle we get a much darker depiction of the story than what would eventually end up on film (well, I’m assuming the following sequences weren’t shot…)

ET Novelization

There’s a sequence in the novel where Elliot, Steve and Gertie’s mother Mary (played by an exasperated Dee Wallace in the film) is so lonely and lost in her own mind that she fantasizes about disappearing from life and, believe it or not, masturbation. (See page 17; the innuendo is there.) She’s also simultaneously dreading the world her children have to face, wondering if they’ll succumb to overdosing on drugs, all while listening in on them playing a campaign of Dungeons and Dragons in the kitchen.  There’s also portions of the book where E.T. becomes weirdly stalker-ish and longs to bond with Mary, starring at her from the closet, thinking about how he could fulfill her needs.  E.T. even gets pretty downright creepy in the sequel novel, E.T. The Book of the Green Planet, where he reaches out to his long lost friend from Earth, melding with the now older Elliot’s mind from across the cosmos.  It comes across very peeping Tom-like, and sort of disturbing.  Experiencing love and yearning “through” Elliot.

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All in all, though all of this adult stuff might seem really questionable on the surface of things, again, I’m really glad that these authors and creators took the chance to expose kids to the real world.  Some of it is for the sake of comedy, some of it is important info that awkward pre-teens probably need, and some of it is just exploring deeper adult themes.  Weird, interesting and kind of neat…

Thank you Mr. Scheimer.

I never had the opportunity to meet Lou Scheimer and I regret that I was never able, in person, to say those two little words that can’t even begin to express how I felt, “Thank you.”

Like so many kids who grew up or came of age in the 70s and 80s, cartoons were the cornerstone of our lives. For some maybe only during those formative years pre-K to third grade or so, but for others like me, cartoons have been an essential part of my life for over three decades. As a kid cartoons were an alarm clock on weekends, as well as my introduction to comedy, tragedy, drama, and heroes and villains. They were my inspiration to pick up a pencil and start drawing. They were an escape, a comfort. They helped instill in me a moral compass. They were/are magic. Over my lifetime there are a handful of studios that have greatly affected me to different degrees, Sunbow, Hanna Barbera, Ruby Spears, Disney and DiC, but at the end of the day there really was only one that helped to define my voice as a person and that was Filmation. And Lou Scheimer basically was Filmation.

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I’m well aware that no one person is solely responsible for a studio, and I have a very long list of artists, animators, writers, producers, voice actors, secretaries and interns to be grateful for, but from all the documentaries, interviews, and articles I’ve read, Lou Scheimer really did put his all into Filmation and so many of his ideas and principals shine through in every production they released. He wasn’t just a figurehead; he was involved and invested in the art that was being created. The more familiar you become with Scheimer, the more and more you see him in the Filmation stable of cartoons, not only in just tone, but in all aspects of production. The most obvious example is his contribution of voice-work for so many characters I grew up listening to. In so many of the live action series Scheimer provided both credits narration and was constantly heard breathing life into robots and creatures, over intercoms and on computers. He was Dumb Donald on Fat Albert, Bat-Mite and the super computer on Filmation’s Batman. He played Tracey the Gorilla in Filmation’s Ghostbusters, was Zero, the off-screen boss from the live action Ghostbusters show from the 70s, and was Sandstorm on Bravestarr. But to me he was one of the major players that helped to define the vocal sound of He-Man and the Masters of the Universe and She-Ra Princess of Power voicing so many of my favorite characters including Stratos, Orko, Trap-Jaw, King Randor, Swift Wind, Kowl, Mantenna, Grizzlor, Fisto, Spikor, Two-Bad, Moss Man, and the Attack Trak computer just to name a few. Scheimer’s voice has been with me in one form or another for practically my entire life.

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Scheimer was also instrumental in keeping animation in the US, and was one of the last hold outs with a studio that had all aspects of creation in-house for the majority of their run. Though a lot of people like to make fun of the studio for its budgetary restraints and re-use of animation, the work, to my eyes, is still beautiful and well worthy of study and deconstruction. I’m still really proud of the two episodes of the Saturday Supercast where Jerzy Drozd, Kevin Cross and I took a stab at breaking down the Masters of the Universe cartoon (Part one and Part two.)

If nothing else, I’m glad that Scheimer had a chance to see the impact that he had on so many lives and that over the last decade we fans have been treated to wonderful releases of a good majority of the Filmation library on DVD. These initial releases, the ones produced by BCI Eclipse, are also chock full of lengthy documentaries on Filmation, the shows, and Scheimer and his family. He made it out to conventions to meet with the fans and together they celebrated a lot of great animation art and childhood memories. Andy Mangels, who produced most of the special features content on those DVDs, also sat down with Lou and co-wrote his biography, Lou Scheimer: Creating the Filmation Generation, so for anyone interested in his story, there is plenty to delve into.

It’s a little late, but I guess this is my way of saying thank you Lou, for all you did, for living the life that you did and making mine immeasurably better off for it. Thank you.

Thinking About Becoming a Professional Podcast Guest…

So, diving back into the online world after the last couple of months not only means more articles in the works at Branded, but I’ve also switched back on my microphone and honored to be asked to guest host (or take part on a panel) on a number of podcasts.

First up, I was part of an 11-blogger panel on the first episode of the Rediscover the 80s Podcast (and I’ve been remiss in getting the word out as this show went live at the end of May!)

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The brainchild of Jason Gross, this is one mammoth show done in the style of VH1′s Do You Remember series where the panel discusses all sorts of 80s pop culture facets and we provide a running commentary.  From Ghostbusters to Turbo Teen there’s a lot of ground covered and pretty darn fascinating getting so many of us pop culture histories talking about these movies, cartoons, commercials and musical acts!  Gross is currently hip deep in putting together the 2nd and 3rd installments and I can’t wait to hear them!  So head on over and give it a listen, well worth your time if you’re a child of the 80s…

Next up (an a much more recent announcement ;) ), I was asked to come on to the Forgotten Filmcast to discuss one of my top ten favorite flicks from the 80s, Streets of Fire!  I chatted with host Todd all about Walter Hill, Michael Pare, Diane Lane, Rick Moranis, Willem DaFoe, the rad music (in particular the work of Face to Face as the real band behind Ellen Aim and the Attackers), and some spiritual film connections!

Forgotten Filmcast

Todd is a really knowledgeable and charismatic guy who knows his cult films!  I had a blast on the show and can’t wait to hear what he covers next.  Check out episode 8: Streets of Fire and tell him Branded sent ya!

Nerd Lunch

Last, but certainly not least, a new episode of the Nerd Lunch Podcast dropped today, episode 91, where I joined hosts CT, Pax, and 4th chair guest Howie Decker to discuss the 80s era G.I. Joe A Real American Hero toyline!

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We discuss what we had, what we coveted, what we lost, and what we’d like to acquire in our collecting over the past 30 years.  Head on over, give the episode a listen, and weigh in on whether or not Crystal Ball, Raptor, and Dr. Mindbender need to reunite for a soul singing trio called No Shirts Required!

Filed Under, “WTF, why didn’t I know this!”

After writing about some of my favorite arcade games on Monday and talking with you guys about some of yours it came to my attention that there are a lot of pretty radical games that I missed out on over the years.  One in particular made my jaw drop though as I’d never even realized it existed.  Thanks to Tom Krohne for pointing me to the fact that a multiplayer Real Ghostbusters Arcade Game actually exists!

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Also, while I’m on the subject, I love these dealer ads meant for the various arcades and pizza joints.  “3-Player Simultaneous Play for increased earning power!”  “The Real Ghostbusters Logo increases initial attraction to game play!”  You can read that last factoid as: “By the way, the actual game play barely features Ghostbusters-esque characters, none of which are wearing cartoon accurate colors, so at least the logo will get kids popping quarters in!”

Anyway, thanks again Tom, now I have to track one of these bad boys down…