Tag Archives: Blackstar

Reclaiming my Childhood: Miscellaneous Edition

So I’ve written numerous times about how much I want to rebuild the toy collection I had as a child and how difficult that is for me because I’m not all that fond of buying loose used toys.  I have a  mental block against buying another kid’s memories if that makes sense.  So my stance has been to patiently wait until I find min on card (or mint in box) versions of the stuff I want.  Again, this comes with its own set of hurdles, mainly monetary in nature.  As much as I want to re-collect these treasures, I find it next to impossible to fork over much money to procure them.  Same story told a million times by other toy collectors and nostalgia buffs.  Lately my tactic has been to ignore the really popular toy lines, the Transformers, G.I. Joe, Masters of the Universe, Star Wars and M.A.S.K. in lieu of searching out the more obscure stuff.  Depending, the prices can be much cheaper and there aren’t quite as many 30-somethings clamoring for them so they’re easier to snag without getting into bidding wars on eBay.

I was pretty excited this past weekend when I stumbled upon one of these slightly more obscure toys at the local vintage toy shop I’ve been frequenting.  Sitting there in a glass display case was a single carded Tonto action figure from The Legend of the Lone Ranger line by Gabriel from 1980…

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Sure, the card was pretty beat up with a huge crease across the top, but this is exactly the kind of thing I’m looking for on my vintage toy hunt.  The intention isn’t to keep the figure hermetically sealed on the card anyway; I want to open it up and hold it again.  So for $10 how could I pass this up?

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I originally had both Tonto and the Lone Ranger from this Gabriel line based on the 1980 film.  I honestly don’t think I ever saw the movie but I did catch the old black and white series on reruns and loved the Filmation cartoon, so at some point I must have begged my parents for these.  I must have been 3 or 4 at the time.  Though I’d love to reacquire both figures, Tonto was always my favorite because he came with both a pistol and a really neat buck knife.  I wrote about this action figure line awhile back as well

Tonto

I also vividly remember loving his purple belt/sash.  Even as a kid I appreciated fun color matching in my action figures.  With both of the figures I had, my favorite aspect was that you could actually holster their pistols and sheath Tonto’s buck knife.  This was pretty advanced for action figures this early in the 80s.  I mean aside from some removable helmets and the lightsaber action on the early Star Wars figures most toys weren’t that intricate.  These also had knee-joint articulation as opposed to the Kenner figures, a stepping stone that would lead to the broader range of joints that Hasbro would use with G.I. Joe.

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I love the card art for these toys as well, working in the tone and style of the movie’s poster art, but instead of just cloning the painting they did a new piece just for the toys…

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I also love the Silver Bullet on the back of the card.  I’m not positive, but I wonder if the idea was to treat the bullets like the Kenner Star Wars points (or the later Robot and Flag points that Hasbro offered with Transformers and G.I. Joe) so that kids could save them up and use them to mail away for special promotional figures or sets.  There was actually a mail-away cardboard playset for these Gabriel figures, but weirdly enough the form requested that kids cut out the character names from the cards to act as the proof of purchase?!?  Check out this ad my good friend Paxton posted on his site The Cavalcade of Awesome when he was taking about the similar Kenner Butch Cassidy and the Sundance Kid toy line from the same year…

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Total missed opportunity to use the Silver Bullet Points!  Just another example that I was born too late to make awesome branding decisions for these companies.  Gotta work on that time machine…

Anyway, over the past couple of months I managed to pick up some more slightly obscure action figures I had when I was a kid.  I thought this would be a fun time to share those as well.  My parents took some chances on odd toy lines and I’m curious whether they thought that I wasn’t interested in them or if they just bought them as a fluke?  I had a bunch of figures in which I only owned one or two of the toys like the ThunderCats (just had Mumm-Ra and Slithe), Silverhawks (just had a Quicksilver), or Tonto and the Lone Ranger.  In this same camp were Warduke (from the LJN Advanced Dungeons & Dragons) and some miscellaneous Blackstar villain figure (which I must have quickly rejected or lost) because I had one of the little included neon green demon PVC figures…

Blackstar Demon

I’m really loving picking up this miscellaneous figures since they’re basically one and done.  They really feel a lot like a true missing piece to my past being put back in place.  I will say that I broke my normal loose figure buying rules with these.  I saw the Galoob Blackstar Demon at a toy show up in Baltimore and I couldn’t beat the price.  Besides, it’s not like I want to shell out the moolah for a mint Blackstar villain on the card when I’m not even sure which one I had.

DandD Warduke

As for Warduke here, well, I recently won a D&D Dwarf figure from this same line from The Garage Sale of Awesome and it felt weird owning that and not my long lost Warduke.  I had some Amazon cash burning a hole in my pocket so I picked one up blindly from a third party seller for a couple bucks.  He’s not in the best shape (mostly some gauntlet paint wear and he’s missing his rad shield and ice sword, but I’ve researched MOC prices for this little guy and man, that is just never going to happen on my budget!

All in all these guys make for one awesomely Awkward Toy Family Photo!

Awkward Family Photo 80s Toys Edition

They also look great in my collection that adorns (read: is taking over) my entertainment center…

Toys

Now, if I can just find a cheap Quicksilver figure from the Silverhawks line…

Thank you Mr. Scheimer.

I never had the opportunity to meet Lou Scheimer and I regret that I was never able, in person, to say those two little words that can’t even begin to express how I felt, “Thank you.”

Like so many kids who grew up or came of age in the 70s and 80s, cartoons were the cornerstone of our lives. For some maybe only during those formative years pre-K to third grade or so, but for others like me, cartoons have been an essential part of my life for over three decades. As a kid cartoons were an alarm clock on weekends, as well as my introduction to comedy, tragedy, drama, and heroes and villains. They were my inspiration to pick up a pencil and start drawing. They were an escape, a comfort. They helped instill in me a moral compass. They were/are magic. Over my lifetime there are a handful of studios that have greatly affected me to different degrees, Sunbow, Hanna Barbera, Ruby Spears, Disney and DiC, but at the end of the day there really was only one that helped to define my voice as a person and that was Filmation. And Lou Scheimer basically was Filmation.

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I’m well aware that no one person is solely responsible for a studio, and I have a very long list of artists, animators, writers, producers, voice actors, secretaries and interns to be grateful for, but from all the documentaries, interviews, and articles I’ve read, Lou Scheimer really did put his all into Filmation and so many of his ideas and principals shine through in every production they released. He wasn’t just a figurehead; he was involved and invested in the art that was being created. The more familiar you become with Scheimer, the more and more you see him in the Filmation stable of cartoons, not only in just tone, but in all aspects of production. The most obvious example is his contribution of voice-work for so many characters I grew up listening to. In so many of the live action series Scheimer provided both credits narration and was constantly heard breathing life into robots and creatures, over intercoms and on computers. He was Dumb Donald on Fat Albert, Bat-Mite and the super computer on Filmation’s Batman. He played Tracey the Gorilla in Filmation’s Ghostbusters, was Zero, the off-screen boss from the live action Ghostbusters show from the 70s, and was Sandstorm on Bravestarr. But to me he was one of the major players that helped to define the vocal sound of He-Man and the Masters of the Universe and She-Ra Princess of Power voicing so many of my favorite characters including Stratos, Orko, Trap-Jaw, King Randor, Swift Wind, Kowl, Mantenna, Grizzlor, Fisto, Spikor, Two-Bad, Moss Man, and the Attack Trak computer just to name a few. Scheimer’s voice has been with me in one form or another for practically my entire life.

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Scheimer was also instrumental in keeping animation in the US, and was one of the last hold outs with a studio that had all aspects of creation in-house for the majority of their run. Though a lot of people like to make fun of the studio for its budgetary restraints and re-use of animation, the work, to my eyes, is still beautiful and well worthy of study and deconstruction. I’m still really proud of the two episodes of the Saturday Supercast where Jerzy Drozd, Kevin Cross and I took a stab at breaking down the Masters of the Universe cartoon (Part one and Part two.)

If nothing else, I’m glad that Scheimer had a chance to see the impact that he had on so many lives and that over the last decade we fans have been treated to wonderful releases of a good majority of the Filmation library on DVD. These initial releases, the ones produced by BCI Eclipse, are also chock full of lengthy documentaries on Filmation, the shows, and Scheimer and his family. He made it out to conventions to meet with the fans and together they celebrated a lot of great animation art and childhood memories. Andy Mangels, who produced most of the special features content on those DVDs, also sat down with Lou and co-wrote his biography, Lou Scheimer: Creating the Filmation Generation, so for anyone interested in his story, there is plenty to delve into.

It’s a little late, but I guess this is my way of saying thank you Lou, for all you did, for living the life that you did and making mine immeasurably better off for it. Thank you.