Category Archives: Personal

The League Re-Revisited!

6883501769_16f5716f51_oLong Time readers might remember that I used to have a lot of fun participating in a weekly pop culture project called the League of Extraordinary Bloggers, or just the League as I preferred to call it.  The project was spearheaded by Brain over at CoolandCollected.com, as a way for folks to find new sites and share inspiration.  I met a bunch of cool folks through the exercise, and though I didn’t participate every week, I always had a blast when I did.  The League has come and gone a couple of times, and finally Brian is giving it another go, though this time a bit rejiggered for a more modern content sharing community.  With the rise in folks ditching traditional sites for Tumblr, Instagram, and Facebook he wanted to make sure that everyone felt they could participate no mater how they interact with the pop culture community, so the Project is now been re-dubbed the Pop Culture League and has a spiffy new logo to boot…

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The first new assignment is up which is simply, Shelfie.  So to answer the call and jump back in the saddle with the folks who are participating I present my most recent obsession, my Dead Media collection of copies of the 1987 Fred Dekker flick Monster Squad on VHS from all over the world!

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This is actually not literally on a shelf, they’re currently giving me inspiration on my desk, but you get the idea.  I’ve made no secret that Monster Squad is one of my favorite films and even though there isn’t a ton of merchandise floating around for the film, there’s enough to keep a true fan busy for awhile trying to pick it all up.  Since I don’t have the wall space for the various movie posters I’ve mainly been concentrating on acquiring Squad ephemera (press kits, photos, international programs and fliers, and magazine articles), but this past year I decided to challenge myself by trying to hunt down copies of all the various releases of the film on VHS.  What I really wanted was a way to display my love for the film literally here at Branded HQ and this seemed to be a fun way to do it.  Not only do these tapes feature a lot of the alternate poster art, but it’s just really cool seeing all of these together.  So what do we have in that picture above?  Going from left to right we have…

The CNR Video, ex-rental VHS from the Netherlands…

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Next up is the Australian Filmpac ex-rental VHS in that snazzy red clamshell case…

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This one is a little worn, but I kind of like that.  I imagine it was rented a bazillion times which makes me happy.  Next, a couple of releases from the UK, an Braveworld/World Vision ex-rental and the Braveworld/World Vision mass market releases of the film on VHS…

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Note the altered Craig Nelson poster art and the alternate UK log on the ex-rental (and Horace’s rad Monster Squad shirt!)  Also, I love that red tape cover on the ex-rental as well, it reminds me of the green on that was on all of the E.T. VHS releases…

Moving right along, here are a couple of German releases.  First is the VPS Video mass market release of the VHS (where the film was re-titled Monster Busters!)

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Then here’s a German ex-rental from Videoplay-Spielfilm that has the most boring VHS tpae stickers ever…

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Now let’s jump over to Spain for a couple more releases.  Here we have the Record Pictures ex-rental VHS with some of the gaudiest cover art ever (and a re-titling of the film to Una Pandilla Alucinante), as well as an Action Time Video ex-rental release of the Beta version of the film…

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Staying in and around the area of Spain, here’s the Transvideo ex-rental release of the VHS from Portugal (re-titled Deu A Louca Nos Monstros)…

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Next up was a very hard VHS to find, and I wasn’t even sure it existed until I had it in my grubby little hands, this beautiful Italian ex-renal from Gallery Panarecord (the Italian subsidary of Worldvision) complete with the most bizarre poster for the film (re-titled Scuola Di Monstri, Monster School)…

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Next, let jump to a completely different continent with my absolute favorite VHS release of the film all the way from Japan, this Hearld Videogram ex-rental that is appropriately Halloween-y!

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The next release came out a little later, but it’s still cool all the same, it’s Danish VHS where the film was re-titled Monster Klubben.  This is also the only international paper sleeve release that I’ve found…

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Rounding out the international releases of the film that I’ve been able to source is another rare one, this time from Mexico.  I am super intrigued by this Videomax ex-rental (from Blockbuster of all places), because this is the only release of the film that has a longer running time than the standard North American release.  Most versions of this film are 93 minutes long, with a handful of the international releases edited down to 89 minutes.  But this Mexican release is 100 minutes!  I’m working on getting a new VCR set-up so that I can figure out what exactly is in those extra 7 minutes of film…

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Last, but certainly not least, is the US/Canadian release of the film by Vestron Video.  This copy came from my favorite Mom & Pop video rental store in Duluth, GA, Home Video, and it’s teh absolute gem in my collection.  I’ve personally watched this copy at least 20 times over the years, both as a rental, and then after I bought it from the store when it closed…

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So there you have it.  There are at least two more international copies of the film that I have yet to get my hands on, one from Turkey and another from South Korea.  If anyone out there has any connection that could help me get copies of those two I would be eternally grateful!

If you dug this tour of my pop culture shelfie and would like to see more posts in this vein, or if you want to join in on the fun, then here are some links to other sites participating this week as well as to Cool and Collected, who hosts the League…

Here’s the collection of Chris over at Stunt Zombie

The collection of Brother Midnight at Green Plastic Squirtgun is insane…

Linz over at Pop Rewind loves her some Terminator collectibles!

Cody at Copyright 1984 showcases a bunch of pictures of his rad collection…

And finally Brian over at Cool and Collected short a great video of his Batman shelf…

The All New Branded in the 80s podcast, Episode 7!

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On this episode of the All New Branded in the 80s podcast I spend some time talking about what it’s like to be a nostalgia addicted guy in the world of pop culture collecting.  Though I adore most all 80s nostalgic kid’s stuff, these days it takes more than a tub full of Masters of the Universe figures or a wall of Nintendo NES cartridges to get me excited about collecting.  No, to really make my head spin the stuff that I love to find has to be the kind of things that simply just should exist anymore.  So join me as I talk about a few items I’ve stumbled upon in the wild that really made my eyes bug and gave me that metaphorical punch of nostalgia to the gut.

Here are some pictures of the stuff I talk about in this episode…

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You can find the episode on iTunes, Stitcher, the Branded Facebook page, or you can also stream it directly from the handy player below, or download it directly by right-clicking and saving here.

You can subscribe to the podcast here!

If you want to chat about the show or other fun 80s junk, you can send me an e-mail to smurfwreck@gmail.com

The All New Branded in the 80s Podcast: Episode 5!

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So for those of you who are into hearing me talk instead of reading Branded pieces, the latest episode of the Branded in the 80s podcast is an audiobook rendition of the latest article I wrote, Thrashin’ and Trashin’ all about my years as an 80s skateboarding poser.  There’s a few extras thrown in for good measure as well as a shout out and a call back to last episode from the seriously awesome Michael of RetroMASH.com!

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You can find the episode on iTunes, Stitcher, the Branded Facebook page, or you can also stream it directly from the handy player below, or download it directly by right-clicking and saving here.

You can subscribe to the podcast here!

Thrashin’ and Trashin’

In 1988 I was a number of things, a comic book fan, a budding artist, a metalhead (more specifically a Metalikat), a lover of cartoons, a Garbage Pail Kid collector, but more importantly, I was a skateboarding poser. As much as I loved the culture, brands, imagery and artistry of skateboarding, I was super timid and afraid of getting hurt, and thus I spent a couple of years steeped in the sport, standing on a board very comfortably on the sidelines.  I bought issues of Thrasher magazine, I adored movies like Gleaming the Cube and Thrashin’, and I had more fingerboard key chains than fingers. That was one of the first times in my life when I desperately wanted to be a part of a clique that I absolutely knew I’d never be accepted into.  I’m not throwing blame on anyone but myself here, but being a heavy kid who was awkward at best and downright terrifyingly clumsy at worst, it felt impossible to break into the culture.  That didn’t stop me from wearing the clothes, obsessing over the movies and begging my mom for a skateboard in the months leading up to Christmas 1987.

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Sadly, not my original board, but this is quickly becoming my next collecting holy grail…

I actually lucked into my first hand-me-down skateboard sometime in early 1987.  It was an Action Sports Kamikaze, a white board with a knock-off red, Hosoi rising sun graphic on the deck, red wheels, and black rails, tail and nose guards.  I have no idea how I ended up with it, whether I traded with someone to get it or if I found it in a yard sale, but I know it wasn’t purchased new by my parents.  It was beat up with gouges scraped into the art, which I artfully covered with some extra Garbage Pail Kids stickers from my collection, in particular a Greaser Greg which I thought added a nice level of badass to the deck.  I happily rode that board up and down my street doing the only “trick” I knew how to do, kickturns, which is about as basic as you can get.

Where I grew up in Florida in the mid to late 80s, the BMX, surf and skate culture was pretty hardcore.  I’m sure it was noting in comparison to southern California, but you couldn’t throw a rock in my neighborhood without hitting a homemade launch ramp in the street or a gang of kids out “shredding” the pavement.  Hell, every 7-Eleven in my area (just north of Orlando) sold bars of Sex Wax (for waxing down your surfboard) next to the candy! Everyone was decked out in Powel/Peralta, Sims, T&C, or Santa Cruz t-shits, wore Vans, Dynos, Chuck Taylors, or Airwalks (before they were co-opted by Payless Shoes of all places), and had the hairdos to go along with it ( either the ‘Tony Hawk’, semi-shaved on one side and along the back, with long bangs flipped to the other side, or the ‘Brian Kelly’, short-ish and gelled to either wave to one side or be semi spiked.)

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I had a weird mix of the Brian Kelly and the Tony Hawk cut, lived in T&C shirts and surf shorts and wore a lot of Dynos and dual color Chuck Taylors.  I used to sport a Tracker Trucks painter’s cap with the bill flipped up and the word ‘Rad’ written in sharpie across the bottom.  In the winter I wore a grey and aqua green Billabong corduroy denim jacket.  Actually, I pretty much lived in that jacket from the winter of 1987 until my sophomore year in high school, during the fall of 1992.  The only reason I finally took it off was because my friends were so sick of seeing me in it that they chided me until I go so pissed off that I literally took a pair of scissors to it during home room and cut it into small pieces so I could throw it at them like confetti in the hallway at the end of fifth period.  But I’m getting ahead of myself.

Mine was like this, one with aqua green sleeves and a grey torso...

Mine was like this, one with aqua green sleeves and a grey torso…

I was an all out poser.  Though I did have a love for the culture surrounding skating, I hardly participated.  I just rode my board up and down the street, and would sit on it by the curb when friends and neighborhood kids would take turns flying off the homemade plywood launch-ramps they’d build on the weekends.  What solidified it for me, in my mind, was when I started obsessing over the idea of getting a brand new deck.  The year before I got a really awesome BMX bike, a baby blue GT Performer with white grips, mags and wheels.  I loved that bike so damn much and would ride it at top speed everywhere.  When I was on that bike I felt invincible, like Bill Denbrough on Silver (his 28-inch Schwinn) in Stephen King’s IT, I could do anything on it from jumping curbs to speeding down the steepest hills at full tilt.  So in my 10 year-old brain I thought this would translate to getting a new flashy skateboard that I dreamed of having built custom from a local skate and surf shop.  Makes sense right?

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Well, somehow or another I convinced my mom to drop $150 on a brand new board for me in Christmas of 1987.  By this point my parents had tired of surprising me and they usually either took me out to the store to pick out a few gifts, or like in this fateful year we made the trek out to a surf and skate shop down in Orlando.  Now, I knew about a lot of the pro skaters by this point from endlessly scanning the pages of Thrasher magazine, and when I walked into that shop I knew exactly what I wanted, a Mike McGill Powell/Peralta deck.  I mean, everyone knew that the Bones Brigade was the shit, and of all the pages I tore out of my skate magazines, the McGill handplant pictures were my favorites and the ones that ended up tacked to my bedroom walls.  So I had the opportunity to pick out all the components for my new board and I was very stoked.  The board itself was silver with the classic skull and snake design, but with a subtle purple coiled snakeskin pattern in the background…

Not my actual board, but this is exactly what it looked like…

The first thing I picked out was the grip-tape for the top of the deck.  I wanted mine to stand out, so I decided to go with a clear version.  I also got a couple of intact sheets so that I could cut it up into a sort of rough camouflage pattern, little silver-dollar-sized pieces in weird shapes that I applied myself later.  Since there was purple on the board, I decided to get a set of matching purple Tracker Trucks with a set of black risers.  I picked out a couple of black rail guards and a black tail guard to match the risers.  Then the coup de grace, a set of 4 lime green Santa Cruz Slimeball wheels…

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So, I loved this deck.  Like love, loved it.  Took it everywhere with me.  I practiced handplants on the edge of my bed with it, sat on it in the living room while watching cartoons, and rode it all around three neighborhoods (the one in Florida where I grew up, then in New Hampshire for the 9 months we were there and then for a couple years in Georgia.)  I just wanted to be clear that I loved that board to death, and I was in good company too.  I mean, Axel Rose was also a fan so…

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But at the end of the day I always felt like a phony.  Unlike the GT Performer, this McGill deck did nothing to bolster my skateboarding prowess.  It didn’t help my with my anxiety of breaking every part of my body on a launch ramp, help improve my balance, or assist in the weight loss I so desperately needed at the time to help with my self image issues.  This is all plainly obvious of course, and I knew it at the time in my heart, but damn if I didn’t hope that a cool pro deck would make me, well, cool.

The cherry on the top of this crap sundae is that even though I felt like such a poser on the inside I did love that board.  So, a few years later when I was living in Georgia and it was stolen out of our garage by some local doucebag, that really hurt.  Kind of like how you never mess with a man’s car (ala Pulp Fiction), you do not steal a kid’s skateboard.  I eventually manged to find out through the very active neighborhood kid grapevine that it was taken by a fifth grader who thought I looked like a jerk.  He didn’t even keep the skateboard, he instead threw it down a sewer one neighborhood over.  It was one of those kinds that didn’t have a handy manhole cover either, because I was all set to go spelunking to get that skateboard back.  It was gone, lost to the underground, and with it pretty much my entire identity of that surf/skate/BMX culture that I had wrapped myself in.  By this point my parents had given away my GT Explorer without asking me, stores had pretty much stopped carrying T&C clothing, and all I really had left (now living in Georgia, light years away from the beachy atmosphere of Florida) was that old and by this point ragged Billabong jacket.

So when my friends started giving me crap for wearing it everyday, even in the sweltering Georgia summer heat, I had had enough.  That was the day I literally cut the poser off of myself, into pieces, and threw it away.

Of new homes and AT-STs…

The more time I spend gliding through this wondrous existence I can’t help but keep coming back to this underlying thread of kismet that has ruled my pop culture collecting.  Not trying to toot my own horn here, but I try my very hardest to put out as many good vibes as I can into the collecting and nostalgia community as I can afford.  I’d be lying if I said that I didn’t get satisfaction from sharing my collection, through this site and often just sending out pieces to those that I find are looking.  The point is, that I enjoy sharing the love so to speak, and every so often, that love comes back my way and for that I am grateful.

A few year ago I wrote a little bit about my childhood experience with a very particular Star Wars toy, the AT-ST Scout Walker released by Kenner back in 1983.  As I mentioned in that piece my family was uprooting itself from Tampa, Florida and the 1st home that I spent any substantial time in.  My father had landed a new job a couple of hours east in Orlando, and we were in the midst of packing everything up.  I was preparing to leave behind everything that I knew, five years worth of friends, secret short-cuts throughout the neighborhood, and the only house I could remember.  It felt like a pretty big deal at the time, I’d just turned six and hadn’t realized that moving was something that people did.

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Before we completely pulled up stakes and left Tampa for good, we took a couple of exploratory trips to the suburbs of Orlando looking for a new house.  Again, this idea was pretty alien to me, and we ended up going to a series of house showings that had a very weird effect on me, in particular I was introduced the concept of coveting other people’s junk.  There were a couple of experiences I had during these trips that had a pretty big impact on me as a kid.  Growing up in the small neighborhood in Tampa we our family lived often times felt very communal.  For instance, there was an old couple at the far end of our oval-shaped development that had a pool that was open to all the neighborhood kids.  All you had to do was knock on their door and ask and you could swim to your heart’s content.  It also seemed like all of the friends I had at the time were really good about sharing our toys.  We were always borrowing each other’s Star Wars or Masters of the Universe figures with little to no squabbling (like in the picture below where I can be seen holding a friend’s Millennium Falcon with joy.)

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But the first time we scheduled a house showing at a home that was still occupied by the family trying to sell it, well, that’s when I first started to covet.  What was the object of my affection?  A lone Star Wars AT-ST Scout Walker toy that was perched up on a chest of drawers in the kid’s room in the house we were walking through.  Being six, the thought hadn’t occurred to me that the stuff in the house wasn’t part of the bargain.  In fact, I spent the next three hours trying to convince my parents that out of all the houses we’d looked through to that point, this last one was obviously the one we should go with.  I mean it was two stories, had hardwoo…screw it, it was because there was an AT-ST in one of the rooms that I really freaking wanted.  After it was explained to me that buying a house didn’t quite work the way I’d hoped (and boy was I a tad relieved when they pointed out that if it had I’d be losing all MY STUFF to some other kid), I was a little crushed.  Getting to have Hungry Howie’s Pizza later that night really didn’t make it better.  Getting to listen to my Michael Jackson Thriller tape on infinite repeat during the two hour trip back to Tampa only helped a little.

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That one encounter in some strange kid’s room was the only time I ever saw an AT-ST toy in real life.  None of my friends had one, and none of the friends I’d eventually make in Orlando did either.  As much as I wanted one, it was six months until Christmas, and in kid time comprehension that was like years.  So I’m pretty sure that I let it slip from my mind, and by the time Christmas of 1983 rolled around I was probably begging for some other toy that had caught my eye.  If I have to be honest I’ve always sort of had an AT-ST-shaped hole in my heart over the years though.  I never sought it out, mainly because by the time that I was starting to have nostalgic pangs for old Star Wars toys they were already becoming collector’s items and were way outside of my budget.  But also, as I’ve mentioned in the past, there’s this idea I subscribe to, that the hunt is more than half of the thrill of collecting.  Somewhere in the back of my mind I think I knew that I should just hold off.

Then, in an amazing turn of kismet, everything changed recently.  First off, over the past year I’ve been working incredibly hard with my fiancee to save up a nest egg that we could use to buy a house.  It’s my first time as a home buyer (and not just a goofy little kid tagging along with his family looking for one), and this would be the first honest to goodness house that I’d be living in since the early 90s, back when I was in high school and my family lost ours when we had to downgrade after a rough patch.  The idea of finally biting the bullet and buying a house terrified me as I’d become more than accustomed to living in apartments, but the time was finally right and all of the pieces were starting to fall into place.  It was an amazingly hard process where we pretty much had to deal with every possible thing that could go wrong (buyers on my fiancee’s town-home pulling out at a week before closing, contracts on houses that had Tom Hanks The Money Pit level hidden problems, and shyster real estate agents that were stealing thousands of dollars from us.)  But at the end of the day we finally found the home of our dreams and for the first time in 23 years I was living in a house again…

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It’s a little rough around the edges and needs some TLC, but we love it.  At the same time that we were hip deep in this process and not sure whether or not we’d even end up in a house, I received a very kind e-mail from a reader in the UK named Andrew who had stumbled upon the original piece I’d written about my childhood lust for the Star Wars AT-ST Scout Walker toy.  It just so happened that he was looking to part with his childhood AT-ST and we made arrangements to give it a new home here in the States.  Something about the timing of this filled me with a metric ton of hope while facing off against all the house buying pitfalls we were experiencing.  I just knew that this was all meant to be, again, that the pieces were all falling in place, and that for the second time in my life, while house-hunting I was encountering this specific Star Wars toy!

Long story short, just after moving into our new house, Andrew’s gift arrived safe and sound at its new home (my office) where it will be loved and displayed proudly at Branded in the 80s HQ…

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Don’t think I can thank Andrew enough for this gift and for convincing me that the best practice is to keep putting out as much positive energy and actions out into the world.  Some day, if I’m patient and lucky, lady kismet will make sure that all my pop culture desires are met, and then some!

Doing our best to help make your jean jacket look way cooler…

I’ve been working on a handful of secret projects behind the scenes at Branded in the 80s and the Cult Film Club that I’m super stoked about.  Every couple of years I try and light a fire under my backside in order to make myself try and do things I’ve always dreamed of doing.  Over the last 10 years I’ve been able to check off a lot “to-do” items on my bucket list including writing and designing a zine, tabling at a large comic convention, and designing my own stickers.  Well, I recently had the opportunity to knock another item off my list, an item that I was really happy to finally be able to tackle and one which I was lucky to be able to collaborate on with a very cool bud.  Thanks to Tommy Day of Top Hat Sasquatch and Buy the Rights, I’ve finally been able to use a couple of my illustrations to create a couple of pretty damn neat enamel pins!

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Tommy just launched a new project called Laser Pins, a small boutique online store for selling enamel pins and patches.  I’ve been a pin fan for years with a pretty sizeable collection of pin-back buttons and enamel pins that I wear all the time.  I’ve always wanted to design some pins that feature my illustrations, but I had no idea how to even get started on making any.  That’s where Tommy stepped in and was a huge help in acting as a go between with a company he’s been working with, and after just a few short weeks I was able to finally hold the above two pins in my hand (and then immediate pin them to my hoodie.)

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For my first two pins I decided to go with illustrations I did for the podcast I co-host with my fiancée Jaime and good bud Paxton Holley, the Cult Film Club.  I settled on the design I created for our show logo, the skull projector that for me really sums up cult and horror films in one fun image, as well as an illustration I did of Steve Buscemi that was done in the style of Daniel Clowes which is sort of an homage to Buscemi’s turn in the movie Ghost World.  The pins are available now and limited to a 100 pieces each.  The Buscemi “Mr. Pink” pin is $8 plus shipping, and the Cult Film Club Skull Projector is $9 plus shipping.  All proceeds from these pin sales go directly into covering the hosting fees we have for both the Cult Film Club and Branded in the 80s, so if you are a fan of either, picking up one or both of these pins goes a long way to keeping these site up and running.

Aside from the two pins that I have up at Laserpins.com, Tommy and some of our really cool artist friends have been designing a bunch of really awesome pins.  Here’s a selection of the kind of stuff you can snag there…

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Above we have Alf (who is back, in POG form!), a seriously awesome Shredder from the 1990 Teenage Mutant Ninja Turtles flick (complete with rad glitter suit), and Cole Robert’s take on a favorite of mine, My Pet Monster!  I personally have the Shredder and MPM pins and I absolutely love them.

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Some more of my favorites include the Ernest P. Worell pin, a glow in the dark TGRI mutagen canister from pin Teenage Mutant Ninja Turtles, and the kind of obscure but awesome Tiger Electronic Handheld game pin.  You be the judge, but I think Tommy has a great crop of really cool and unique pins, and I’ve certainly put my money where my mouth is…

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Again, so if you want to help support the projects I work on and get some really cool pins in the process, head on over to LaserPins.com and buy yourself some flair for your jean jacket, messenger bag, or whatever you put pins on!  Thanks in advance for your support and being rad…

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My tiny weird Star Wars collection…

Nostalgia is such a weird beast that pulls me in some very strange directions. When it comes to collecting and impulse buys I find that I am consistently picking up some very unconventional items like being drawn to collecting 80s stickers and sticker-collecting ephemera including hobby magazines and old photo albums that had been used to house vintage collections.  Then a few years later I was building a rather large collection of old “mom magazines” (stuff like Working Woman, Woman’s Day and McCalls) because I felt a strong urge to find pictures of old household products in advertisements and stuff.  And let me just say that I have found some pretty amazing advertisements in those magazines like this badass Return of the Jedi jungle gym play set!

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Lately my attention has been focused on old school supplies (vintage Pentel mechanical pencils, Trapper Keepers, and old school folders.)   At the end of the day what I’m really seeking is that gut-punch feeling I get when I see something that very strongly reminds me of my childhood.  Sure, vintage toys and releases of old cartoons and sitcoms on DVD are cool, but the smell of a specific kind of Trend scratch and sniff sticker or the sound the Velcro makes on a Trapper Keeper flap is so vivid and clear that it’s like stepping back in time.

So when I stumbled across a gentleman that was selling mint, in-package vintage Star Wars Return of the Jedi Oral-B toothbrushes and perfectly stored empty boxes of Star Wars Pepperidge Farms cookies I didn’t hesitate and immediately plunked down $30 to reclaim a few tiny pieces of my childhood that really should not exist anymore.  Before I forget, everyone hunting for vintage toys should totally check out @FarToys_Vintage for some great stuff!

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I’m pretty sure I’ve brought this up in the past, but it still dumbfounds and amazes me that some of this stuff is still bouncing around in people’s pop culture and ephemera collections.  I mean these two Star Wars Return of the Jedi cookie boxes are the definition of trash.  I mean thousands if not hundreds of thousands of these boxes were purchased by parents around the country (even world maybe?), the cookies were eaten, and then the boxes were unceremoniously thrown in the garbage.  Who in the hell had the presence of mind to think, “Hey, I should hold onto these because 30 years from now there will be a dude who will give me $20 for these two cookie boxes.”

Granted, I know that there is/was a craze for collecting anything Star Wars related and that makes the fact that these were carefully flattened and shelved for three decades a little easier to understand.  I mean, hell, I was so into the Tim Burton Batman flick that I distinctly remember filling a short comic book box with every scrap of Batman-related anything that I could get my hands on, up to and including a full sealed box of Batman cereal (the one shrink-wrapped with the creepy Batman coin bank.)  But even though I was a rabid collector that box only stayed in my collection for a few years before it eventually ended up in the trash.

batman-cerealSimilarly, who was buying up Oral-B Star Wars toothbrushes back in 1983 and storing them in their original packaging for posterity?  Now I don’t want to come across as mocking, because as this article points out I not only bought these 30 years later, but and very, very happy that they still exist.  I just can’t help wondering how I can even be in a position to buy these things.

Anyway, on to these miracle treasures that I’ve recently been able to reconnect with.  The first item that I stumbled across was the Oral-B toothbrush.  I can so distinctly remember the day my mom bought me one of these back in 1983.  I’d already seen the movie a couple of times in the theater and I was still practically begging her to take me back to see it again.  It was a rainy overcast day in central FL and I remember driving down a back road to a local Drug Emporium in my mom’s copper-colored Mazda 626.  Though I have no proof of this I would swear that I was wearing my awesome blue Empire Strikes Back Darth Vader iron-on T-shirt as I pretty much had Star Wars on the brain 24/7 that year.

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I remember walking into the store with my mom, feeling how weirdly slick the low-pile carpeting felt underneath my Buster Browns, and then making a b-line to an aisle that had a bunch of candy and toys.  As my mom went in the back to fill a prescription I was making my way up and down the aisles scanning the shelves for anything of interest when I stopped dead in my tracks in the toothpaste section. There on a set of pegs were a bunch of colorful slim boxes with a very family logo and bunch of characters that I practically thought were my real life friends (and enemies.)  Holy crap, there were Star Wars toothbrushes and I had to have one.  I hated brushing my teeth (what kid doesn’t?) and had recently gotten into the practice of counting to counting to 60 out loud in mushy toothpaste mouth to know exactly when I could stop scrubbing.  Immediately my mind started compiling all the reasons why a Luke Skywalker toothbrush would solve all of my (and my parent’s) frustration with at bedtime as I would now love brushing my teeth.

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I’m not sure exactly how eloquent I made the argument, but that day I went home with an awesome shiny red brush with my hero, Luke Skywalker, painted on the handle.  As a very predictable postscript to this story the toothbrush did absolutely nothing to enliven my brushing experience and I’m sure I was just as cranky every night at 9:00pm as I ever was.  Either way, that day in the Drug Emporium was burnt into my brain and when I saw a mint in box toothbrush pop up in my instagram feed I absolutely had to have it.  Now, the only question that remains, and it’s a question that’s subconsciously plagued me since that fateful day, why did the designer of this series choose red as the color of the packaging and brush?  Why wasn’t it green like his lightsaber in that third movie?  There was also a Darth Vader brush in the set.  Why wasn’t that one red?

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The whole ad campaign for these was pretty awesome considering they were just cheap toothbrushes.  There were posters produced, as well as activity books and even an official plaque-fighting club that you could join!

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Moving on to the second nostalgia gut punch.  About a week after I picked up the toothbrush from Faraway Toys on instagram, he blew me away again by offering up a set of two Pepperidge Farms Star Wars Return of the Jedi cookie boxes.  Holy hell did I ever eat my weight in these as a kid.  If memory serves they weren’t even that good, but anything edible and shaped like Chewbacca, Admiral Ackbar, and Luke Skywalker was a favorite.  These came in three varieties, Peanut Butter, Vanilla, and Chocolate (the latter being offered exclusively in the “dark side” villain character shapes.)  Though I remember the dry, crumbly cookies coming in a foil bag inside these boxes, I don’t really have any specific memories of eating them.  I just know that I did because I can recall almost every aspect of these boxes that I undoubtedly poured over while munching on the cookies.  I was always a food container reader, something that I continue to this day.

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No matter how these things ended up surviving, I can’t thank @FarToys_Vintage enough for allowing me to reconnect with some very obscure treasures from my past.

What’s your favorite weird tiny nostalgic collection?

But Does it Hold Up?

It’s weird when you come to the realization that you’re getting older, especially when you’re a kid at heart. Sure, we all tick off each year with a birthday and we watch the holidays and seasons fly by, but as we run through our twenties and thirties, it’s hard not to continuously feel like a teenager.  I make plenty of jokes about being the grump out on the stoop shaking a toy lightsaber at the “youngins” barking at them to get off my lawn, but it wasn’t until the past few years when I really started to feel older.  It started with generally losing track of the music scene and who the comedians were on the cast of Saturday Night Live, but the next thing I knew I was walking out of the movie theater bitching about all the teens texting and how loud and ridiculously disorienting the film was.  Then at work I found myself explaining to my younger co-workers what 8-Trac and cassette tapes are, as well as describing what playing the original Nintendo Entertainment System was so much fun.  They couldn’t get past the fact that most games didn’t have save points or that you couldn’t respawn where your character bit the dust and that you’d have to play the whole level over again from scratch.  Long story short, I really began to start feeling old, like I was officially part of a generation removed that is no longer driving pop culture at all.

cassette1_3033301bI can totally accept that, but there are aspects to this shift in generation that bug me, and it’s not just feeling like I have to defend my pop culture to a younger generation, what really bothers me is having to defend it to my own. I get why the younger generation mocks the TV shows and cartoons that I grew up on, I mean I did the same thing to a certain extent with my parent’s pop culture.  It’s just a symptom of the changing of the guard.  But what really kills me is when folks my age look back to our shared pop culture experiences and they sneer and inevitably say the four words that really burrow under my skin in the worst way, “It Doesn’t Hold Up.”  This typically comes after I’ve been chatting with someone and I mention that I collect 80s era ephemera and cartoons on DVD.  I’ll bring up a series like the Silverhawks or Jem and they’re get really excited as they remember something that’s long been buried in their psyche.  “Oh, I used to love that show!” is what they say, followed by a promise to look it up on Netflix or Hulu.  Then, about a week or so later I’ll run into them again and there will be a weird hostility in their voice as they inform me that they watched a few episodes of that long forgotten cartoon and they were “sooooo disappointed…” because “It Didn’t Hold Up.”

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This always makes me wonder what exactly folks are expecting out of revisiting the pop culture of their youth. Are they expecting the shows to feel like they were written today, with current day ethics and attention spans taken into consideration?  Are they expecting there to be a layer of adult innuendo that they missed as a kid?  Or are they simply hoping that what made them excited, laugh or smile as a kid would still be the thing that hit them in the same place as an adult?  Honestly, it’s probably all three, and after realizing that the first two expectations didn’t pan out they’re disappointed (sometimes angrily so.)  This typically also leads to the ranking game, the “what were the best (fill in the blank) back in the day”, that also usually raises my hackles a little.  Don’t get me wrong.  I have no problem with folks ranking their favorite shows or movies, but it inevitably becomes a competition (well a perceived one at least) where I’m asked to make my list for comparison.  I hate being put in that position as it makes me feel defensive and weird if the other person has already decided something on my list “doesn’t hold up.”  Nostalgia is a celebration and an acknowledgement of the shared pop culture experience, it’s not a competition or a dick measuring contest.

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I think this also brings me back to an ideal that I try very hard to adhere to when writing for Branded, the idea that every cartoon, comic book, toy, live action show, sitcom, band, song and movie is someone’s favorite thing in the world.  Even the Mon Chi Chi’s Rubix the Amazing Cube, or the seasons of Diff’rent Strokes with Danny Cooksey.

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I always try my best to invoke this perspective when I approach a subject, to put myself in the shoes of a superfan so that I can get to the heart of why something works or is cool.  In this online era of negativity with all the snark, butt-hurt expectations and angry backlash from fandom at the mere mention of re-launching a dormant brand for a new generation, I truly believe that I have to take the optimistic perspective and earn the right to bag on something.  I know it’s not popular to continuously play the optimist, but I’d rather sacrifice pageviews, comments, likes and followers for a more fun and upbeat nostalgia experience.  It’s not simply just a matter of “If you don’t have nothing nice to say…”, because I think there is a very important place for dissent, criticism, and anger.  But I do think that that perspective has to be earned or else it rings hollow, argumentative or baiting.

I guess this all leads me to a few questions.  Am I weird for not caring if a show or movie from my childhood “holds up” or not?  Does anyone think that today’s pop culture will hold up twenty years from now?  Have you ever been in a situation where you felt weird for loving a TV show or movie that everyone around you thought was stupid because it didn’t hold up for them?  If there is a show that doesn’t hold up for you, have you still been able to find any enjoyment revisiting it, or does it sort of become something that you divorce yourself from?

Weird Collectables, or the Most Awesome Swatch of Wallpaper Ever…

Considering the rant-ish piece I wrote last week about the exclusivity of the upcoming Mondo Monster Squad “Rock Until You Drop” vinyl singles, I thought it would behoove me to switch gears from focusing on that sort of manufactured collectible to a much more organic and meaningful piece that I was privileged to put in my personal collection recently.

A couple of months ago I was surprised with one of the weirdest yet coolest gifts that I’ve ever received, and it touched me so deeply that I actually shed a few tears when I realized what I was holding in my hand.  I had been contacted by a really kind former crew member (Jim Clarke) who had worked on one of my favorite childhood television shows, You Can’t Do That on Television.  Apparently he’d read and dug a couple of the pieces I’d written that surrounded the show here at Branded (a review of the You Can’t Do That On Film documentary and the Slimed book), and had mentioned that he wanted to send me a piece of ephemera for my collection.  A couple of weeks went by and with a ton of crazy things going on behind the scenes of Branded I let this exchange slip from my mind a bit until I received a small envelope in the mail with a Canadian postal return address.

As I carefully opened the package I was trying to guess at what the contents might be.  Mr. Clarke was purposely vague as to what he was sending, and I’m glad he was.  The packaged contained a folded letter on official CTV letterhead and a swatch of blue and green flowered wallpaper.  For a second I was confused, and then it dawned on me that I was holding a very small and very awesome piece of the You Can’t Do That On Television filming set!  This was a piece of wallpaper that adorned the walls of the main family living room set where Les Lye’s Lance Prevert and Abby Hagyard’s Mom character cracked wise with dozens of kid actors during the 80s and early 90s.  I mean, holy crap, if this piece of wallpaper could talk.

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You Can’t Do That On Television was such a huge show for me.  Not only was it the cornerstone show of a network that I watched all the time as a kid and teen, but it was my first real introduction to sketch comedy.  YCDTOTV was my gateway to shows like Monty Python, SCTV, Kids in the Hall and the Upright Citizens Brigade.  That style of comedy is what kept me sane as an overweight, geeky teenager, and I can’t even count how often my mind would drift back to the dozen characters Les Lye played when I was struggling to fit in at school and with friends.  Those characters were the backbone of my inner monologue comedy, and they shaped me as a person to an extent.  So to have a piece, even something as small and insignificant as a piece of wallpaper from that show is almost like having a magic talisman.

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Never in a million years did I ever think I’d own and cherish a small patch of wallpaper, a piece of wallpaper that I’m totally going to frame and hang proudly in Branded HQ.  This just reinforces the idea that maybe, instead of dropping a ton of cash on eBay for nostalgic toys or cool new manufactured collectibles, maybe it’s better to put out as much positive energy out into the void as possible and then let the universe return the favor.  I’m not a super spiritual individual, but I do know that the things that I cherish the most, collection-wise, is stuff that has come my way through connections I’ve made because of writing and podcasting here at Branded in the 80s.  I’ve had the honor to meet (online and in person) some amazingly friendly and talented people that I never would have met had I not started this project, and the gifts, trades and purchases are the things that truly make my heart swell.

I can’t thank Jim Clarke enough for reaching out like he did and helping to keep the flame of You Can’t Do That On Television alive.  Clarke is one of the few people who was forward thinking enough to save some of the sets and props from the show.  In addition to saving some of the wallpaper from the living room set, Clarke also owns the wooden post from the firing squad set, the microphone Les Lye’s announcer character used, and the freaking lockers from the mid-show joke segments!  How cool is that?  You can check out an interview with him here.

What’s the weirdest/coolest piece in your nostalgia collection?

Exclusivity Vs. Fandom, or Why it Sucks to be a Collector These Days *UPDATED*

I’ve mentioned this in the past, but it bears repeating, I don’t like being negative here at Branded in the 80s.  First and foremost this site is about celebrating the nostalgia of the 80s and all of the cool stuff that goes along with loving that decade.  But I’m human and just like everyone else there is some stuff that just really grinds my gears.  Typically when there’s something that really gets on my nerves I’ll force my better half to listen to me gripe about it for a few days, then I’ll focus on something positive and just get over it.  But every once in awhile I just want to get all my thoughts out on paper (so to speak) and process the negativity in a slightly more productive manner.  Can I get a decent article or editorial out of it?  Well, let’s see.

This past week one of my favorite movies of all time, the Monster Squad, was suddenly trending in the news due to the announcement that Mondo would be releasing the film’s soundtrack on vinyl this October.  To get people excited for that release the company decided to also release a vinyl single this May featuring the two pop songs from the film, Michael Sembello’s “Rock Until You Drop” and the end credits “Monster Squad Rap”.  Frankly, this is outstanding news as I’ve been dying for the soundtrack and score on vinyl for years.  La-La Land Records had just recently released the Bruce Broughton score on CD (and it sounds amazing), but I was really hoping for a nice piece of artistic vinyl, something that I could put out and display.

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So, considering this awesome news, why am I so bummed?  Well, the Mondo single release is going to be made available in four variant editions, each featuring beautiful sleeve artwork by some really swell artists and different colored vinyl pressings.  The releases include artwork by Gary Pullin, Randy Ortiz, Jason Edmiston, and the folks at Phantom City Creative (the latter two I featured during my Month of the Monster Squad a couple years ago.)  Here’s a look at the four release variants…

Dracula cover with art by Phantom City Creative

Dracula cover with art by Phantom City Creative

Wolfman cover with art by Gary Pullin

Wolfman cover with art by Gary Pullin

Frankenstein cover with art by Jason Edmiston

Frankenstein cover with art by Jason Edmiston

Gillman cover with art by Randy Ortiz

Gillman cover with art by Randy Ortiz

Alright, amazing cover at and super cool colored vinyl, so far so good.  While I’m not crazy about variants and the thought of paying for the same two songs four times, that’s totally something I’m willing to do as a huge fan of the Monster Squad.  So what’s my problem?  Well, two of these variants are going to be exclusives.  Actually technically three of these are exclusives, I just happen to live in an area where one of them will be readily available.  The Gary Pullin Wolfman variant will be exclusively available at Texas Frightmare starting this weekend and the Ortiz Gillman edition will only be available in record stores in the UK in May.  The Edmiston Frankenstein edition is going to be exclusively sold in record stores in the US in May, and the PCC Dracula version will be sold online at the Mondo site also starting in May.  So, for Monster Squad fans like me living outside of Texas in the US the Wolfman and Gillman editions are going to be a bit tricky to get our hands on.

Though record stores in the UK will be offering copies of the Gillman pressing for sale online (for instance Transmission Records and Norman Records), I’ve been hearing that they will be refusing or refunding orders coming in from the US to keep the European exclusivity intact.  This is frankly (excuse my french), frustrating as shit.  On the one hand I applaud the convictions of these record store owners for sticking to their guns, but on the other I just want to give them my money in return for a product they are selling that I really want to buy.  Similarly, with the Pullin variant, from what I understand you have to attend Texas Frightmare in order to get a copy.  So, I live roughly 1,400 miles from Dallas, TX and had pretty much zero chance of making it out to the show this weekend.  If I want to snag a copy of that disc I have to crowd-source my shopping list and hope that I’ve made a contact on one of the social media channels I frequent who might be going to the show.  I also have to hope that they don’t mind standing in line for me, hauling the record around all day, and then taking the time to ship it to me after the show.  I’ve met a bunch of super gracious folks who have done similar “muleing” for me in the past, but I hate asking this of people every time there’s some exclusive I want at a show I just can’t get to.

Exclusivity.  I’ll be honest, the whole concept just baffles and enrages me.  It’s not that I feel a sense of entitlement or that I should be able to get everything that I want.  Trust me, I learned at a very early age that not only do we not typically get what we want, but that it’s probably better for our moral character that we don’t.  If these records were simply limited editions (which they are, on top of being regionally exclusive), and they all sold out in a matter of minutes I could deal with that.  But being denied even the chance at getting them based purely on my geographic location is like kicking a wolfman in the nards when he’s down.

Hell, I’ve even been on the lucky end of this stick in the past having easy access to exclusives (like the Halloween Hot Wheels Ghostbusters Ecto-1 variants at my at-the-time local Kroger grocery stores) and I’ll be honest, it didn’t feel that great.  Being a collector I was acutely aware that there were a ton of people in other states that wanted those exclusives that didn’t have access to them.  I had to make the tough choice one year of either leaving these Hot Wheel toys on the store shelves, or buying them all up and sending them out to friends in other states for cost.  Sure, I got to feel good about making sure collectors that wanted the cars got them at an affordable price, but I also was put in the position of a scalper, keeping other local folks from being able to buy them. It just felt crummy all around.

Bottom line.  I’m a super fan of a cult film who already feels a little marginalized because there isn’t a whole of collectible merchandise available for said film.  I’m already scouring the internet for rare items to celebrate my love for the Monster Squad (from Japanese movie pamphlets to rare publicity photos from the film’s premier.)  So now, on top of that I have to basically be denied access to cool new collectibles, or choose to pay ridiculously inflated prices on eBay for those collectibles from the scalpers that will inevitably flood the market days after the release.  That is the environment that exclusivity breeds.  These records that sell for £12 at the UK shops will be bought up by bottom feeding scalpers that will turn around and sell them for upwards of £40 to £50 on eBay or the Amazon Marketplace.  The sad fact is that this is a trend that I do not see ending anytime soon.  The companies that release these exclusives are getting exactly what they want (which is selling through all of their product in a short window of time), so why would they change to a more fan-friendly model?

*UPDATE*

So, just as I figured two things happened.  First, the Wolfman Texas Frightmare variant was next to impossible to get for all the reasons stated above.  Not only was I unable to source a copy from the show by reaching out on social media, but the leftover copies were put online at Mondo and sold out in a few minutes.  I’m not saying I have a huge reach on social media mind you, but I have a decent number of contacts and I even had both the cover artist, Gary Pullin, and Andre Gower from Monster Squad retweeting my call for help to no avail.  Second, checking eBay only a week after these records started going on sale and we can already see scalpers reselling these Monster Squad releases for two to five times their suggested retail price!

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This is after just one week!  When folks start getting these records in hand I can almost guarantee that the Wolfman, Gillman, and Frankenstein variants are going to be selling for upwards of $100.  In fact…

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For a two-song, 7-inch single.  I’ve heard arguments for both sides of this exclusivity game, and both have their merits, but I just can’t believe that this is the best way to go about marketing niche products aimed at fans, to fans.  Again, I am a huge Monster Squad fan who is willing to drop the $60 plus shipping for the four variants, and yet, with cash in hand I am barred access from the get-go.  I mean, I’m looking at the list of things required to pick up a release like this (money, awareness of the releases, checking availability the moment they go on sale, connections in areas where the exclusive releases are going on sale, etc.) and I check every box.  Well, every box except the one that reads: “Willing to pay upwards of 700% the price to douchebags who want to price gouge because the item is exclusive.”  Screw that check box.  Like I said, these days it really sucks to be a collector.

What about you, where do you stand on exclusivity?  Is there something awesome about this marketing concept that I’m missing?