Category Archives: Cult Film Club

These Should Exist: The Young Guns Edition

I’m still toying around with the idea of making this a regular feature here at Branded, but after recently creating the sorely needed and non-existent Adventures in Babysitting cards a couple weeks ago I got to talking with my pal and Cult Film Club co-host Paxton about collaborating on a set of Young Guns and Young Guns II digital trading cards.  We both love those movies (as evidenced in our two-part double feature podcast from this past year), but I’d say that the love Pax has for the films is way, way up there, most definitely in the realm of my love of The Monster Squad.  So we hunkered down, traded notes on design and Photoshop secrets, and proceeded to create our own sets of Young Guns trading cards that we both believe should really have existed.

I’ll start off with series one, and as with any good set of 80s era trading cards we felt like we needed some rad wax wrappers.  For this set we created two, a hero…

Wrapper YG1 A

and a villain…

Wrapper YG1 B

As for the cards themselves, Pax and I are gonna split up the set we designed, each showcasing half.  If you want to “collect them all”, you’ll have to head on over to his bitchin’ site the Cavalcade of Awesome to get the rest.  Also, in terms of design, this Young Guns series one set provided the perfect opportunity to tap into a wonderful and wonderfully misused 80s era Topps card flourish, the mystifying real wood-bordered 1987 Baseball cards!


So, from my perspective, I both loved and loathed that ’87 wood border design back in the day.  That was the year I picked up the baseball card collecting bug and that Topps mega set (over 700 freaking cards) was my jam that summer and fall.  I mowed so many lawns to save up enough dough to collect that entire set one wax wrapped pack at a time, so I loved the entire experience collecting it and trading cards with my friends.

YG1_4_Chavez    YG1_6_Steve

Much like in the flick Big, there were plenty of “…need it, got it, got it, need it…” sessions with my buddies, but all of us were scratching our heads as to why Topps chose that weird ass border design.  Was it supposed to represent a close-up of a baseball bat?  Who knows.  What I thought at the time was that it made the set look like they were Bonanza cards, so when Pax brought up the idea of doing this Young Guns set I felt it was finally time to utilize this design in a way that it would truly shine…

YG1_8_Buckshot    YG1_10_Murphy


Though these sets are pretty damn time consuming to make, I love the challenge they present to try and nail that 80s aesthetic in the look and “feel”.  With each passing set I work on I feel like I’m getting better and better at nailing that vintage look.  While Pax and I were making these and passing them back and forth we were both feeling that need to have these printed up for real so we could stick them in binders and stare at them all day long…


YG1_16_Iron     YG1_18_Pals

As I mentioned above, these are only half of the cards Pax and I designed.  If you want to collect the rest (of course you do!) then head on over to the Cavalcade and unwrap his Series 1 pack!

Of course, like most fans of the Young Guns movies (as well as Billy the Kid on film fans that dig these 80s interpretations), it’s hard to consider the one flick without the other.  Though it’s considered a sequel, the continuing story of Billy the Kid and the Regulators of Lincoln County New Mexico in Young Guns II really is just the second half of a larger single story.  So when we set out to make these cards for the 1988 film it was a given that we’d also have a Series 2.  Here’s a tease of one of the wrappers for that series we did, and we’ll release the full set of cards soon!

Wrapper YG2 B

Once again, if you dig these digital trading cards, please head on over to the Cavalcade of Awesome and complete your set!  For those taking a close look at the numbering, you might see that there are some chase cards for these sets that we’ll be sharing elsewhere as well!

Investigating the Young Sherlock Holmes novelization…

4461391534_02cce86892_oThis past month it was my turn to pick the movie up for discussion on the Cult Film Club podcast (the show I co-host with my buds Paxton Holley and Jaime Hood), and since we’re in the dead of winter and I just moved up to Maryland and am experiencing boatloads of snow firsthand I wanted to choose something that was sufficiently wintery. I landed on the 1986 flick Young Sherlock Holmes which fit the bill weather-wise and also is a hugely nostalgic classic to me which is a lot like curling up in a blanket with a warm bowl of soup. I had a lot of fun chatting about the film on the show and digging through my Starlog archives to find a couple of vintage articles on the film that I shared over at the CFC website. This reminded me that I have one other Young Sherlock Holmes collectible, the novelization by Alan Arnold.


I’ve been meaning to crack the cover on this book for a while since it felt a bit heftier than your typical movie novelization which usually means that there are a few deleted or alternate scenes included. So this past weekend I finally curled up in bed and read the book cover to cover. First and foremost, much like the movie itself, the novelization is a love letter to Sir Arthur Conan Doyle in both style and tone. The whole Young Sherlock Holmes project was an interesting exercise in that everyone involved, from the actors and set designers to the writers and director, took pains to create a piece of fiction that felt like it was ripped straight out of the Holmes cannon. There are a lot of subtle details in the story that point to classic aspects of the character (both Doyle’s version as well as the many film and television adaptations that preceded this new story), none of which I feel beat the viewer over the head or effect the plot.

So the first thing you notice about the novelization is that it’s narrated in the voice of John Watson; just as all but four of the original Holmes stories were. The movie is also framed with an older Watson’s narration, but it’s used sparingly, mostly during scene transitions and never framing scenes where the main characters aren’t present. The book on the other hand is completely in the voice of Watson which can be a bit old when you consider that there are a handful of scenes where neither Watson, Holmes nor any living witnesses were present to see the events firsthand (such as the case of Bently Bobster’s unfortunate freak-out and eventual suicide that opens the story.) So it leaves the reader to assume that those segments are reconstructed or “fabricated” to fill in the blanks for the sake of the narrative.

That small gripe aside, Watson’s narration in the novelization is so rich with detail and anecdotal asides that it becomes a wholly different experience than a simple adaptation of the Chris Columbus script. In fact, the book is so densely packed that if one was compelled to research every anecdote Arnold mentions in the narration it might take you a couple years to finish the book. All in all, the majority of the differences between the novel and the film lay in these random observations and intensified descriptions of the locales and character backgrounds. Again, going back to the Bobster sequence there is a lot more detail into that character’s background, how he became so well off and a rather lengthy bit about his love of fine dining (and why he ultimately chose the restaurant where the film opens and he suffers from his first trippy hallucination where his pheasant dinner comes alive and attacks him.)


But there are some fun little deleted bits, stuff that feels very much in line with showcasing Holmes as a junior detective in training. We get a bit of this in the final film with stuff like the ongoing bear riddle between Holmes and Watson and the missing fencing trophy challenge between Holmes and Dudley, but there were more little brain teasers peppered in. For instance, when Watson and Holmes are in Chemistry class and Elizabeth taps on the schoolroom window and hands Sherlock a note. In the film we see her hand the note to Holmes and we watch as he reads it, but the contents of the note aren’t revealed. In the novelization (and I’m assuming the script as well) we find out that the note is actually a puzzle that reveals a meeting place for Sherlock to find Elizabeth later. It reads:

“Two brains merge into one,
Where the leaves of knowledge are stored
Near the men of dancing words
When the clock becomes a perfect L.”

YSH Deleted Bit 1

After Holmes explains that the note means for him to meet her for a study session (brains merging) in the library (leaves of knowledge = books) poetry sections (dancing words) at 3:00pm (hands of the clock forming an “L”), he then proceeds to take a vial of chemicals that Watson was working with, adds some more stuff to the mixture and creates a dazzling fireworks display in the classroom to liven it up (if you remember from the film that professor is rather dull and sort of senile.) Again, nothing essential or earth shattering, just little bits that make the story way richer and fun to read. In fact, there’s another throwaway line in this segment that I found pretty awesome. So after Holmes lights up the chemistry class he and Watson make their way to the Library to meet up with Elizabeth. But Watson notes that they make a quick stop to pick up a newspaper and a bottle of cough syrup (which Holmes takes a large swig of) at the apothecary. For those versed in the lore of Holmes you’ll note that the character was an addict, and the fact that Arnold has him as a young lad starting down that road already drinking cough syrup is sort of fascinating. I highly doubt it that this made it into Columbus’ script, though now that I think about it there was that weird sexual moment in the Goonies novelization where Andy has an orgasm at an odd time. I attributed that bit of insanity to the author of that book, James Kahn, but maybe I’m not giving Chris Columbus’ scripts enough credit in the weird adult content department. Guess I need to track down copies of both of the scripts (Goonies and Young Sherlock Holmes) and find out for sure. To round out these small differences in the novelization, in the scene where Holmes meets up with Elizabeth he starts to explain why he was late and she stops him and then using the skills Holmes evidently already taught her she proceeds to retrace his exact steps much in the same manner that Holmes first guessed Watson’s name and attributes when they first met. Arnold and Columbus were definitely building up Elizabeth as Holmes’ equal which makes his admiration for her and the effect of her ultimate fate that much more poignant.

As far as other differences that I found interesting, there was one that I was surprised did not make the translations from script/film to novelization. This one is a rather larger spoiler, so if you haven’t seen the film, read at your own risk. In a very cool example of an after credits stinger scene, at the end of the film we see that the main villain of the story, Professor Rathe, didn’t perish in the icy river after the duel with Holmes. He made it out somehow and after a long carriage ride through the snowy woods he happens upon a rustic inn and rents a room. As he signs in on the ledger he uses a new name, Moriarty.


This whole segment is not included in the novelization which makes me wonder if the idea to include this was made during filming. Maybe the director, Barry Levinson, or the producer, Steven Spielberg, was really happy with how the filming was going and they decided to create the stinger to point to a potential sequel (something that would unfortunately never come to pass.)

All in all Alan Arnold’s adaptation of Young Sherlock Holmes is another shining example of how cool these 80s era film novelizations can be. For folks who love movies to death and who cherish finding all sorts of little obscure odds and ends that enrich the experience of watching their favorite flicks, novelizations are a freaking goldmine.

So, something pretty damn RAD happened…

I’ve been in full on Rad mode lately, I know, so bear with me for one more piece of excitement I’d like to share.  After recording the latest episode of the Cult Film Club about the flick, Pax, Jaime and I got a chance to interview the one and only Cru Jones himself, Mr. Bill Allen!  I mean, HOLY CRAP! This is the first time I reached out to one of my childhood heroes and for a month I was chewing off my nails.  I was pretty damn worried the interview was going to devolve into the Chris Farley show.  But I pulled myself together, put on an appropriate shirt and this past Tuesday night I sat down and talked with Mr. Allen for about an hour…

Co-Host Shawn Rad

If you want to listen to us talk about the movie Rad, Bill’s penchant for extreme hobbies, his music career, and what it’s like to be associated with a cult classic film and to have inspired countless athletes and filmmakers, then head on over to the Cult Film Club and download episode 17!  We also dig into his new memoir, My Rad Career, which highlights his 30 years spent in front of and behind the cameras. It was an honor and an amazing pleasure to chat with one of our film heroes and we hope you enjoy the conversation. So without further to do, queue up Send Me An Angel, put on your sequined shirts, and jump on your bike as we talk to a supremely Rad dude!  You can also listen to it by clicking, or right-clicking & downloading it here!

Lastly, I woke up this morning to find my review of Bill’s memoir featured on his website!  Too cool.  If you’ll excuse me, I’m gonna go reenact the BMX dance sequence from Rad to celebrate…

Branded on Bill Allens Site

Alright Dudes! Let’s walk this sucker!

This month it was my turn to pick the movie that the Cult Film Club covered and I decided it was high time that Paxton, Jaime and I dug into one of my favorite 80s flicks the 1986 BMX classic RAD!


Starring Bill Allen, Talia Shire, Lori Loughlin, Bart Connors, Jack Weston and Ray Walston, the film was directed by the legendary Hal Needham (Smokey & The Bandit, Cannonball Run, and Megaforce.) For those who haven’t seen it (correct this NOW) the movie centers on BMX junkie Cru Jones who only wants to get radical on his bike with friends Becky & Luke, challenge the local cop to races in a lumber yard, and get his morning paper route finished by 7:15am. All his mom wants is for him to go to take his SATs and get into college. But when Duke Best, head of the Mongoose bicycle company, partners with the local businesses to bring a professional BMX track called Helltrack to Cochrane, Cru sees and opportunity to do what he does best, which is riding his bike. But before he can race, Cru has to prove that he can qualify, which is easier said than done when Best, along with his stuck up hot shot riders Bart Taylor and Rod & Rex, the Reynolds Twins, keep putting up barriers he has to hurdle. Along the way he learns who his true friends are, as well as winning the heart of beautiful BMX champion Christian, but does he have enough thunder in his heart to beat Helltrack?

We talk about our favorite scenes, amazeballs dance sequences, the awesome soundtrack, and what makes this film still work after almost 30 years.  So if you’re curious to hear me and my friends talk about this awesome flick, break out a bowl of Kix and head on over to the Cult Film Club and listen to episode 16.  You can also listen to the discussion by clicking, or right clicking and saving here!

CFC FB Cover Photo

Also, I just want to remind folks again that the star of Rad, Mr. Bill Allen, has just released his memoir detailing his 30 years in Hollywood in his book My RAD Career which you can purchase directly from him in both paperback and special signed editions.  If you pick up a copy it helps both Mr. Allen and will help keep the lights on here at Branded.  Also, tell him Shawn from Branded sent ya!

Bill Allen Memoir

Who’s the baddest Mofo Low Down in this Town?

I recently sat down with my Cult Film Club co-hosts and recorded a new 80s-centric episode of the podcast all about the amazing martial arts musical Berry Gordy’s The Last Dragon!


We all collectively kneel down and kiss some Converse as we discuss our favorite scenes, the amazing Motown soundtrack, and the outrageous soul glow in the film.  Whether it’s break-dancing out of bondage or kicking an albino Mr. T’s ass, this film has everything that fans of 80s cult flicks love.  So put on your venetian blind sunglasses, zip up your banana yellow Game of Death tracksuit and get ready to catch some bullets with your teeth!  You can find the episode at the Cult Film Club, or you can simply right click and save it here.

During the conversation we bring up the pint-sized kung fu master Ernie Reyes Jr. which of course led me to reminisce on some Kickin’ Jeans/Action Pants ads that he featured in.

Ernie Reyes Jr Kickin Jeans 2

I’m pretty sure of the Reyes Jr.  from 1981 in the ad above time traveled to today he could still totally kick my butt (and not rip his jeans in the process, classy.)

So, anyone have any favorite songs from the soundtrack?  Favorite scenes?  Favorite quotes?  For my money I could listen to Faith Prince singing Dirty Books while Sho’Nuff’s lady gang tries to peel Bruce Leeroy like a banana!


The Repo Man has entered The Grid!

Lots of little personal projects going on this month behind the scenes at Branded, but of all the stuff I’m working on the thing I’m probably the most excited for is the launch of Season Two of the Cult Film Club!  It’s been just over a year since I helped launch the CFC Podcast with my bitchin’ co-hosts Paxton Holly (of the aptly named Cavalcade of Awesome & the Nerd Lunch Podcast) and Jaime Hood (who runs my favorite blog on the interwebs

CFC Cover Photo

We do our best to get together about once a month to talk about all the cult movies that we love to death.  Outside of 80s era kids junk (and the branding that goes with it) my other main passion/hobby is watching movies and deconstructing them with friends.  So the Cult Film Club has been a great outlet for me to help start the conversation on some of my favorite flicks.  Now we’re not limiting ourselves to just the 80s, but readers of this site will surely be interested in a good chunk of the movies we’ve tackled so far as a lot of them have fallen square in the domain of what I’d normally cover here at Branded like Miami Connection, Better Off Dead, Karate Kid III, Zapped, Beastmaster, Troll 2 and The Wraith.  We just kicked off our new season with an episode dedicated to the late Mr. Harold Ramis (where we cover a trio of his films, Stripes, Ghostbusters and Groundhog Day.)  So for anyone who might enjoy hearing me blather on about 80s stuff in a podcasting format and who hasn’t checked out the show, you might enjoy it.

In honor of the CFC gearing back up, I wanted to take a moment and talk about a segment of an film I just caught last night that is the sort of stuff the Cult Film Club was built to discuss, which also just happens to fall directly into the middle section of the CFC/Branded Venn diagram.  There’s a horror flick from the early 80s that I’ve been meaning to watch forever called Nightmares (released in 1983.)  I first stumbled upon this flick years ago when I was hunting for some of those elusive foil prism horror vending stickers that I had when I was a kid.  I ended up winning a lot on eBay and included in with the Nightmare on Elm Street, Friday the 13th Part 6, and Vamp stickers was one with a couple of hands, a pair of eyes and the text Nightmares.  I thought it was just some sort of generic horror sticker the seller threw in, but it turns out that it was for this obscure anthology movie starring Richard Mauser (the dad from License to Drive), Lance Henriksen (Aliens and Near Dark), Billy Jacoby (Just One of the Guys), and an early performance by Emilio Estevez.


It’s been on my radar to watch for years as I love horror anthology flicks (all those wonderful Amicus films from the 70s and stuff like Creepshow, Tales From the Darkside or The Monster Club.)  Well I saw that the full film was on youtube last night so I threw some pizza rolls in the oven, popped the top of a Red Rock grape soda, and finally caught up with this movie.


For the most part the flick is a snooze fest, but the second chapter titled The Bishop of Battle was amazing!  Where do I begin?  First off, this segment stars Jacoby and Estevez as a couple of arcade junkies.  Estevez plays J.J. Cooney, a cross between Newman’s The Hustler and Doug Masters from Iron Eagle.  The segment opens with Jacoby and Estevez hopping a bus from their suburban neighborhood in the Valley to Venice Beach so that they can hustle the local gangs that hang out in the arcades.  Estevez’s Cooney is an game wiz, the best in California, and he needs some quick cash that he owes to the mysterious Bishop.

Nightmares 5

Cooney finds his mark playing a Pleiades machine and he goes in for the kill setting him up with a spiel from Jacoby’s character about how Cooney is always blowing his money on arcade challenges.  Before you know it Conney is down $6 and decides to go for broke and up the ante with one final game for a whopping $25.  The gang member has to go check with his boss, but gets cleared for the dough and the two battle it out in one final game which of course Cooney wins.

Nightmares 7

So aside from the fact that it’s kind of ridiculous how “serious” it becomes when $25 is at stake, I love this sequence because Estevez’s Cooney gets into “game mode” by slipping on his Walkman headphones and blasts some rad early 80s punk.  This is way before similar sequences in Iron Eagle that I also love, and a full year before Estevez would play punk Otto in Repo Man.  In fact this whole segment is set to the music of Black Flag, X, and Fear which is amazing.

Nightmares 6

The gang is onto Cooney unfortunately and they end up chasing the two out of the arcade into the streets where Estevez and Jacoby narrowly jump another bus to the safety of the Valley.  The two make their way to the local mall and after an argument about going to see the Bishop, Cooney leaves Jacoby behind and continues on into the local arcade.  Can I just say how sad it is that there aren’t arcades in malls anymore?  You’d think with the amount of teens that still hang out in local malls these wonderlands of video games would still manage to be profitable.  I mean I know that gaming has evolved past what a lot of these machines were capable of and most kids get their fix with apps on their phones, but still there’s something magical about the noise and lights and standing at a cabinet that I miss so much.

Nightmares 8

Anyway, we quickly learn that the “Bishop” isn’t a person, but rather a game called The Bishop of Battle, a game that Cooney has yet to beat and is his sole focus.  In fact at one point he tells his parents that after he beats the Bishop he’s going to retire from gaming and concentrate on school again.  No more late nights and missed classes.  No more stealing quarters and hustling Latino street gangs for bread to feed the Bishop.  Cooney decides that today is the day he will finally get to the 13th level and take down his rival.

Nightmares 12

Nightmares 11

The game is very much like Beserk or Nightstalker with a maze-like grid and wandering aliens you have to blast with a laser gun.  As the game opens you hear: “Greetings Earthling.  I am the Bishop of Battle, master of all I survey.  I have 13 progressively harder levels. Try me… if you dare!”  Cooney pumps up the volume on some punk and then proceeds to the 12th level where he’s promptly taken down by the Bishop.  The crowd that gathered dissipates as the arcade closes and the owner literally has to pry Cooney off the machine.

Nightmares 13

This is where the film takes a turn for the speculative and horrific.  Later that night after having a huge blowout with his parents, Cooney sneaks back to the mall and breaks into the arcade so that he can have his final showdown with the Bishop.  He’s hot and ends up finally beating the 12th level at which point the arcade cabinet freaks out, overloads, and literally crumbles to pieces…

nightmares 15

Cooney thinks he’s finally beaten the Bishop, but it turns out that the 13th level was way more than he bargained for as he has inadvertently freed the Bishop who sends his pixelated minions to do battle with Cooney in the real world.

Nightmares 3

Looking down, Cooney sees he still has the laser gun from the cabinet in his fist so he instinctively starts zapping the flying enemies in the middle of the arcade, destroying arcade games left and right.  It’s sort of like the opposite of Tron and is kind of freaking awesome!

Nightmares 1

I can’t believe I went 36 years without catching up with this 25 minutes of pure awesome cinema.  Estevez is at his best, cockily grinning up a storm and is really into the role no matter how cheesy some of the dialogue is.  The effects in the live action arcade sequences are pretty top notch as well and totally hold up 31 years later.  Between the Tron homages, Estevez and the rad punk soundtrack, Nightmares: The Bishop of Battle is well worth seeking out.  Just be careful you don’t buy it on the 13th level because the consequences are much worse than the game being over!

Nightmares 4

Shaking the Pillars of Heaven…

So, the start of a new week, and it’s already been a rather crazy roller coaster of ups and downs here at Branded HQ.  Live in or around Jacksonville, FL area?  Did you feel the ground quake around noon on Saturday?  Did it rain frogs for a bit and mess up your outdoor lunch festivities?  Did your rose bushes suddenly burst into very fragrant flames?  Well that was probably partly my fault as I made a day trip down to the area to meet some folks in person that I’ve been talking with online for years.  That’s right, I finally got a chance to meet Paxton Holley of the amazing Cavalcade of Awesome, and in the process uniting 2/3rds of the Cult Film Club in person for the first time (no worries, I brought Jaime along in spirit, or rather with a bit of her soul that was captured on film and then printed out at Kinko’s.)  I’m pretty sure there’s some old testament prophecy about some pretty crazy stuff happening if all three of us were to gather in person in the same location at the same time…

Cult Film Club Polaroid small

So what was I doing in that neck of the woods?  Well, when not talking about rad cult films, Pax’s main podcasting gig is as a co-host of the Nerd Lunch show (which I’ve been on a time or two, or ten actually), and they’ve been planning an IRL meet-up for awhile.  Carlin, Paxton, Robert (from the cool To the Escape Hatch site) and myself all converged on Jacksonville for some great food (at 4 Rivers Smokehouse), some great conversation (there should be a podcast released soon), and just some good times in general.

Nerd Lunch Live small

In addition to the above conversation and merriment I was also introduced to the concept of a Doritos encrusted Mountain Dew flavored cupcake.  Yeah, read that last bit slowly and mull on that idea as you take a look at this monstrosity…

Mtn Dew Cupcake

It was pretty insane.  Not as Dew-y as I’d hoped, but still pretty darn tasty and crazy.

In other news, my beloved DVD player of the last 10 years has passed on to that electronic junk pile in the sky (which I imagine is actually the planet Junkion from Transformers the Movie.)  I’ve watched a metric ton of films and TV on that player and was pretty sad to see it go.  I mean, I wore thumb and finger grooves in the remote.  Sigh.  Well, the last movie to play on it was an 80s flick I’d neglected to watch until last night, the John Hughes written/produced romantic comedy Some Kind of Wonderful.  So if it was going to die, at least it, A, let me watch this flick, and B, picked a pretty rad movie to spin as it’s last screening. I’m glad it didn’t sputter out any sooner as I was able to see a very young and super precocious Candace Cameron playing with her collection of Garbage Pail Kids!  Harkening back to The Monster Squad post, it looks like Eugene wasn’t the only collector on the silver screen…

SKoW 2 small

SKoW 4 small

SKoW 1 small

In a move that was almost too cute to bear, Hughes, director Howard Deutch, or maybe even Cameron herself decided to have the GPKs fighting against each other.  My head almost exploded by the sheer amount of adorable nostalgia on the screen.

SKoW 3 small

I also love that she had both a collection on the backing in a cigar box as well as a bunch of stickers that were applied in a photo album.  Too cool.  I don’t remember ever seeing sticker collection in a flick like this before (though I’m sure I’m forgetting a movie or two…)

So, now I have to decide.  Do I finally get a Blu-Ray player and an HD TV?


No Seriously, I Guess I like Talking… ;)

All of a sudden one stops and takes stock of the past few weeks and it’s impossible to ignore the fact that you’ve been hosting or guest hosting on a ton of podcasts.  This happens to everyone right?  Seriously, I think I’ve been making up for my recent internet sabbatical in the form of podcasting.  It’s immediate, the editing is minimal (as if I edit my writing, pshaw), and the conversations tend to be a lot more fun than just banging away at my keyboard.  I’m not really comparing the two for any other reason than trying to rationalize how in the past two week’s I’ve had six podcast announcements!  Seriously, I guess I like talking…

Cult Film Club

So, what are the other three shows I’ve been involved with recently you might be asking yourself?  Well, first off, there’s a brand new episode of the Cult Film Club, the show I do with some criminally awesome co-hosts, Paxton Holley and Jaime Hood.  This should be of interest to folks who enjoy this site as the movie we chose for discussion is none other than the batshit insane Karate Kid III!


For real, this flick is crazy, and as my co-hosts point out, Karate Kid III is basically a parody of the first KK film.  John Kreese, down on his luck after all of the Cobra Kai students have abandoned him in the wake of some crazy car-window punching and nose honking, seeks revenge against Daniel and Miyagi by hooking up with his secret CK grand master and old war buddy Terry Silver.  They lure Daniel to the dark side of the, um, karate, and well, you have to watch this film to believe that it was actually made.  We chat about the film, the actors, some dream re-writes, and how we all secretly wish we were Terry Silver.  You can listen to the episode and join the Cult Film Club here!

Next up is the long awaited release of the new episode of the Saturday Supercast!


This time I check back in with hosts Jerzy Drozd and Dave Roman to discuss one of my all-time favorite flicks, 1986′s Transformers the Movie.  We’re joined by the super cool Matt Hawkins to discuss the film, the soundtrack, the casting, and we all provide some interesting arguments for how the Decepticons managed to hand the Autobots their buts so easily at the start of the flick!  We all had way too much for with the conversation and it ended up a long show.  So Jerzy and Dave broke it in half.  Check out Part 1 over at Sugary Serials!

Last but not least, I was kindly asked to be a guest on the latest Retro Retro Retro Podcast by the really awesome and swell guy Raven J!

retro retro retro

The discussion is all about magazine memories, NES and Gensis video game reviews, as well as some movie reviews.  I sat in on the discussion of magazines with Raven and his crew and had a blast.  Check out their site, and you can find the episode here!

Talking about some stuff I LOVE TO DEATH!

Holy crap!  It’s freaking Podcast-a-polooza here at Branded today.  I have not one, but two new shows that went live this morning.  First up is episode 4 of the Cult Film Club, the show I co-host with Paxton Holley and Jaime Hood.  This is our Valentine’s Day episode, and for us that meant sitting down to watch the mostly naked Marc Singer, the topless Tanya Roberts, and John Amos’ butt cheeks in the amazing 1982 flick The Beastmaster!

For those uninitiated with the flick, it follows Dar, a warrior with the power to communicate with the animal kingdom, on his quest to avenge the destruction and mass murder of his village by the tyrannical wizard Maax.  Along the way there are plenty of painted tigers, hot-bodied Stygian witches, and freaky bird people that make this film a true fantasy cult classic!  In the episode we discuss the fantasy/barbarian genre, the violence and adult content in the film, cinematographer John Alcott and his amazing use of lighting, the special effects, and the wonderful score by Lee Holdridge.  We take a closer look at some of the actors in our regular segment, Hey Do I Know That Guy, as well as playing Hollywood moguls in a segment we like to call It’s Time For a Recast!

You can head on over to the Cult Film Club, or you can download it directed by right-clicking and saving here!

On the other end of the Valentine’s day spectrum I joined back up with the Saturday Supercast, this time talking with Jerzy Drozd and Dave Roman all about what it was like being a boy growing up in the 80s who watched girl’s cartoons…

We kick off with talk about the surprisingly intense My Little Pony: Rescue at Midnight Castle, then move on to The World of Strawberry Shortcake, and close with a chat about outrageous rocker gals on guitar-shaped motorcycles, Jem!  You can find the episode at Sugary, or you can right click and download it here!

If these shows don’t say “I love you”, then I don’t know what does…

Cult Film Club Episode 3 and Chasing Marin Kanter…

Hey folks, just wanted to take a second an point to the release of the 3rd episode of the Cult Film Club podcast, my new project with Paxton Holley and Jaime Hood.  We’re having a ton of fun producing this show and if you’re a movie buff like me there’s sure to be something fun in the episodes for you.  This time we chose to discuss the 1966 Sergio Corbucci spaghetti western Django starring Franco Nero as the mysterious coffin-dragging gunfighter out for bloody revenge!

To listen to the show you can either visit the Cult Film Club, find and subscribe to the show in iTunes, or download it directly here (right click and save!)

I’ve also been writing some articles for the club including my recent experience watching the 1978 Walter Hill flick The Driver and the 1982 punk rock classic Ladies and Gentlemen, The Fabulous Stains.  I totally have a crush on Marin Kanter from that flick by the by…

Also, if you want to know what films we’ll be covering next, you can join our totally rad club and get the inside scoop on our plans and access to contests and stuff (like this one where you can win a free shirt from Ript courtesy of the Cult Film Club!)