Sifting through mountains of old magazines pays off…


By Shawn Robare

I’ve spent an inordinate amount of time in my life combing through paper.  Aside from the thousands of hours of flipping through comics that I’ve logged since I was a kid, sorting and folding paper was a large part of my day-job for years.  Every day I’d sift though reams of medical claims, arranging them into piles by insurance company so that I could send out as many in bulk as possible.  But there was always a pile of singles left over, two to three hundred a day that needed to be folded by hand.  Yes, I’m well aware that there are machines built for this task, and believe me our office had one that must have been constructed around the turn of the century.  It was older than sin and only worked about a fourth of the time.  Even then it would eat up and shred claims which was more of a headache than folding them by hand.  Besides, there was no way that company was going to invest in a new folder/stuffer when they were already paying me.  I became so adept at sorting and folding that I was almost as fast as the machine when it was working properly.  At one point I started having nightmares about spending the rest of my life folding paper and stuffing it into envelopes.  It was around this time that I came up with the brilliant idea of securing a second job, working nights at my local Kinko’s.  Yet more paper.  Sorting, folding, and stuffing.

Around five years ago I made the jump into IT, laughing manically as I left the paper behind.  The blurred sorter’s vision, the constant paper-cuts, and the smell of printers ink on my hands were all fading away.  Of course, around five years ago I also started this site, and thus began a second wave of kneeling before the gods of paper as ephemera because an important passion in my life.  I’ve replaced the medical billing clearinghouse drudgery with the never-ending search for amazing forgotten tidbits that are hidden in million comic long-boxes, tucked away in the corner of an antique store cubical, and buried in mountains of 30 year-old stacks of magazines. Articles, postcards, stickers, posters, packaging, calendars, flyers, magazines, books, and of course, advertisements; this is the ephemera that keeps this site running.  Sometimes, in the middle of investigating every page of practically every single issue of Woman’s Day magazine from 1983, I swear that I’m going to go blind (just like Donald Pleasance in The Great Escape.)  But every so often I find something so irrevocably awesome, that it makes the whole process completely worth the struggle.  Below is one of those finds.

Maybe I’ve built this up a bit too much with this long-winded intro, but every time I set eyes on this poster (which will hopefully soon be hanging in my office) I get a bit giddy because it transports me so effortlessly back in time to when I was six and my family was having cable TV installed for the first time.  1983 was my first introduction to the wonder of the classic children’s programming on the first channel devoted to kids, Nickelodeon…

The only thing keeping this poster from being the perfect piece of 80s era Nickelodeon ephemera is that it was released about a year and a half before the network really came into its own with the introduction of all sorts of animated series and game shows.  Even so, 1983 was the year that they really took a step in the right direction with the debut of Mr. Wizard’s World, which cemented the last corner of the triumvirate of series (along with Pinwheel and You Can’t Do That on Television) that more or less defined the look and feel of early Nickelodeon.  And that is what this poster is all about!

Well actually this poster is all about the 1983 Nickelodeon Sweepstakes.  In an effort to get the word out about the network to the millions of new cable subscribers during the boom in the early 80s, Nickelodeon concentrated their efforts on two fronts, non-violence and educational programming.  This Sweepstakes offered one lucky kid a $10,000 dollar college scholarship (though in the fine print you can see that this can be transferred to a cash payout when the winner turns 18, I guess in case attending college just wasn’t in the cards.)  You can tell, from the pages that make up the back of the poster below, that a lot of the original programming on the network was geared more towards education than entertainment.  Of course there was always the Canadian sketch comedy of YCDToTV and the insanity of Wild Ride, the live action series hosted by Matt Dillon focusing on the countries best roller coasters and thrill rides.

    

Anyway, back to the poster.  It was painted by a fella named W.S. “Bill” Purdom, a talented artist who’s worked with huge companies on everything from advertising to movie posters, and is currently specializing in capturing classic moments from baseball on canvas.  The poster features a ton of celebrities and characters including Reggie Jackson, Mr. Wizard, Matt Dillon, Chris Makepeace (from Meatballs and My Bodyguard fame), Leonard Nimory, Bill Bixby, Slim Goodbody, Christine McGlade and Les Lye (from YCDToTV), as well as Jake, Coco, Plus & Minus, Aurelia, Ebeneezer T. Squint, Silas the Snail, Luigi, and Admiral Bird from pinwheel.  Hell, even the Nickelodeon pinball makes an appearance!  Sigh.

Yup, finding a poster like this tucked away in a 28 year-old issue of Woman’s Day is the whole reason that Branded in the 80s exists.  It makes all the work, the hunting, the sorting, the flipping, the scanning & digital enhancement, and all the ailments, the paper-cuts, the old-mildewy-ink-stink on my fingers, completely worth it.  Hope you guys dig seeing stuff like this as much as I do.

  • https://finkythekid.blogspot.com Ryan Fink

    Wow, what a grotesquely ’80′s find, Shawn! Pinwheel (siiiiigh). Pinwheel, Pinwheel, Pinwheel- such mixed emotions on this show. I was born in ’77 and fortunate enough to have cable in the early 80′s and I watched a fair amount of early Nick. I watched alot of Sesame Street and Electric Company too. And, while I think all three shows definitely had the “education” theme intact, Pinwheel, somehow felt like the “poor man’s” version for some reason. Unfortunately, it’s been so long since I’ve seen ANY Pinwheel, I realize I’ve forgotten almost ALL the charatcers’ names except Plus and Minus. (a poor man’s Ernie & Bert?) I think part of it for me was in the look of the charatcers- mostly the puppets. The rounded, bulbous faces kind of freaked me out. The one that had the vegetable cart, the old gypsy (Esmerelda?), Even Plus and Minus kinda. The only one who didn’t was Ebenezer Squint and look at that feaking BEAK he had. Shawn, i did like the bit with Plus & Minus and missing the rocket ship and had TOTALLY forgotten about Simon in the Land of Chalk and Hatty Town Tales until you mentioned them (wow, what a blast from the past!) But, that damn mime (the one in the center of the poster) the Admiral Bird, and what were those bird-like puppets with the springy necks and legs? The running gag was that people’d see them and try to tell someone else, but they were always gone by the time that other person got around to looking?? Anyway, something began to irk me about Pinwheel as I got older. I’m bedeviled by the realization that I still don’t know exactly what it is, but it defintely stems from the visual look of it. I used to watch Today’s Special, but one of the things that irked me alot was Sam the nightwatchman. I liked him as a character (he always sort of reminded me of a mix between Rowlf the Dog and Beauregard from the Muppets), but the design of that puppet was so bizarre. I guess the parts I liked the best about Pinwheel were the segments that did not involve live action/puppets. And there was just something a little too creepy about those segements with the puppets for me to retain the kind of nostalgia for it that I do, for say, YCDTOTV, Mr. Wizard, Dangermouse, or Turkey TV. I do credit Nick with exposing me to some other “random” stuff that I’d have never seen growing up in the US otherwise – Powerhouse, Mysterious Cities of Gold (man, i loved this), and Spartakus and the Sun Beneath the Sea.

  • http://www.brandedinthe80s.com/ Shawn Robare

    Dave – Agreed. Just out of curiosity guys, was the dislike for Pinwheel with the format, the live action segments, the puppets or cartoons? I just remember loving all the bits like Minus trying to make it to a Space Shuttle and always getting held back while it lifted off in the background, or the Bunny in a Suitcase cartoon. Paddington Bear, Chapi Chapo, Simon in the Land of Chalk, and HATTY TOWN TALES! Sorry, I’m getting a bit too nostalgic I think. But in Hatty Town, everybody is a hat!

  • Dave

    I didn’t care for Pinwheel but its theme song was infectious. I still remember it fondly.

  • http://www.brandedinthe80s.com/ Shawn Robare

    Wow, I’m surprised by the Pinwheel hatred. Sure, it’s no Sesame Street, but it did have a guy with a room full of boxes that made cool sounds…

  • http://cavalcadeofawesome.net/ Paxton Holley

    Awesome. Just…….AWESOME. I hated Pinwheel, but I really enjoyed You Can’t Do That On Television and Today’s Special. Mr Wizard was pretty cool, too. I don’t remember the Matt Dillon show.

  • Lamar the Revenger

    We didn’t have cable, but the babysitter did and next to sneaking a little MTV in, we’d watch Nick practically all the time. The Third Eye was too creeepy, You Can’t Do That On Television & Turkey TV was the best (the latter introduced me to the band, Barnes & Barnes) & I HATED Today’s Special & Pinwheel. Well, the only thing good Pinwheel did was show me how to play ‘Gotcha Last.’

  • http://wings1295.blogspot.com/ Caffinated Joe

    Great find! It does predate the classic Nickelodeon a bit, but still – awesome!